Distorted Tone
Eye of the Beholder
Metallica
Bassmetal1980s
Original Gear
BassWal Mk1 4-String Bass
AmpMesa/Boogie Strategy 400 power amp + ADA MP-1 preamp (studio); likely Mesa/Boogie or Ampeg SVT for live
PickupsCustom Wal humbuckers (active electronics, dual pickups)
Amp Settings
gain7.5
bass5
mid6
treble7.5
presence7
compression4.5
Effects & Signal Chain
preampADA ADA MP-1 Preamp
Notes
Studio recording, 1988, ...And Justice for All sessions. Jason Newsted on bass. Notoriously 'buried' in the mix, but distorted sections are audible.
Tone Character(9)
clanky upper midsaggressive pick attackgritty, metallic edgescooped low midsbright, cutting treblecompressed sustainslightly fizzy distortiontight low endaudible string noise
Difficulty
The part requires fast, consistent alternate picking with a pick, tight timing to match the intricate guitar rhythms, and careful muting to avoid excessive noise due to the aggressive tone and high gain.
Sources
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Create Free AccountBassmetal1980s
Original Gear
BassWal Mk1 4-String Bass
AmpMesa/Boogie Strategy 400 power amp + ADA MP-1 preamp (studio); likely Mesa/Boogie or Ampeg SVT for live
PickupsCustom Wal humbuckers (active electronics, dual pickups)
Amp Settings
gain7.5
bass5
mid6
treble7.5
presence7
compression4.5
Effects & Signal Chain
preampADA ADA MP-1 Preamp
Notes
Studio recording, 1988, ...And Justice for All sessions. Jason Newsted on bass. Notoriously 'buried' in the mix, but distorted sections are audible.
Tone Character(9)
clanky upper midsaggressive pick attackgritty, metallic edgescooped low midsbright, cutting treblecompressed sustainslightly fizzy distortiontight low endaudible string noise
Difficulty
The part requires fast, consistent alternate picking with a pick, tight timing to match the intricate guitar rhythms, and careful muting to avoid excessive noise due to the aggressive tone and high gain.
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