ToneAdapt

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Riff Tone

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Local H

Guitarrock1990s

Original Gear

GuitarFender Stratocaster with added bass pickup (custom modded for split guitar/bass signal)
AmpMatchless 120 Super Chief head into Marshall cabinets (guitar side); Ampeg bass amp (for bass pickup, not primary for guitar riff tone)
PickupsStandard Fender Stratocaster single coils (guitar strings), custom bass pickup (for lower strings, split signal)

Amp Settings

gain7
bass6
mid7
treble7
reverb1.5
presence6

Effects & Signal Chain

distortionFulltone Fulltone OCD
octaveElectro-Harmonix Electro-Harmonix Micro POG Polyphonic Octave Generator

Notes

Studio recording, 1995-1996 era (album: 'As Good as Dead'). Guitar signal is split: guitar strings to Matchless/Marshall, bass strings to Ampeg. Focus here is on the distorted guitar riff tone, not the bass split.

Tone Character(10)
huge and thickaggressive and saturatedtight and percussivefull-bodiedcranked British-style overdrivepunchy midrangeslightly scooped lowsminimal ambienceoctave-doubled thicknessloud and in-your-face

Difficulty

The riff requires tight, aggressive power chord playing with palm muting and coordination with the octave effect, but does not involve advanced lead techniques or complex chord voicings.

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