Solo Tone
Feeling Good
Muse
Guitarrock2000s
Original Gear
GuitarManson MB-1
AmpDiezel VH4
PickupsSeymour Duncan Hot Rails (bridge), Sustainiac (neck)
Amp Settings
gain8
bass6
mid7
treble7
reverb2
presence6
Effects & Signal Chain
modulationDigitech Digitech Whammy IV
fuzzZvex Zvex Fuzz Factory
delayLine 6 Line 6 DL4 Delay Modeler
Notes
Studio recording, 2001 (Origin of Symmetry era). Gear confirmed for this era and song by multiple Muse gear discussions. The solo section is known for heavy use of effects, especially the Whammy and delay. No evidence of live rig or alternate guitars for the studio version.
Tone Character(9)
singing sustainoctave-shifted lead linesaggressive fuzz texturetight and compressedcutting lead presencesaturated distortionpronounced delay repeatsharmonized pitch shiftsmodern rock solo tone
Difficulty
The solo requires accurate Whammy pedal use, fast octave runs, and control over a saturated fuzz/delay tone, making it moderately challenging for intermediate players.
Sources
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Original Gear
GuitarManson MB-1
AmpDiezel VH4
PickupsSeymour Duncan Hot Rails (bridge), Sustainiac (neck)
Amp Settings
gain8
bass6
mid7
treble7
reverb2
presence6
Effects & Signal Chain
modulationDigitech Digitech Whammy IV
fuzzZvex Zvex Fuzz Factory
delayLine 6 Line 6 DL4 Delay Modeler
Notes
Studio recording, 2001 (Origin of Symmetry era). Gear confirmed for this era and song by multiple Muse gear discussions. The solo section is known for heavy use of effects, especially the Whammy and delay. No evidence of live rig or alternate guitars for the studio version.
Tone Character(9)
singing sustainoctave-shifted lead linesaggressive fuzz texturetight and compressedcutting lead presencesaturated distortionpronounced delay repeatsharmonized pitch shiftsmodern rock solo tone
Difficulty
The solo requires accurate Whammy pedal use, fast octave runs, and control over a saturated fuzz/delay tone, making it moderately challenging for intermediate players.
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