Solo Tone
Hail to the King
Avenged Sevenfold
Original Gear
Amp Settings
Effects & Signal Chain
Notes
Studio recording for 'Hail to the King' (2013). Synyster Gates used his signature Schecter with high-output Invader bridge pickup into a Bogner Uberschall. No evidence of live/tour substitutions for the solo section. Effects are added via pedals, not amp-based. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
Difficulty
Sources
This tone has been researched 8 times by the community
Create an account to adapt this tone to your gear
Create Free AccountOriginal Gear
Amp Settings
Effects & Signal Chain
This tone has been researched 8 times by the community
Notes
Studio recording for 'Hail to the King' (2013). Synyster Gates used his signature Schecter with high-output Invader bridge pickup into a Bogner Uberschall. No evidence of live/tour substitutions for the solo section. Effects are added via pedals, not amp-based. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
Difficulty
Hail to the King settings for your amp
Exact settings ToneAdapt players use on these amps.
- Hail to the King on Fender Mustang LT25
- Hail to the King on Fender Mustang LT50
- Hail to the King on Fender Frontman 15G
- Hail to the King on Orange Crush
- Hail to the King on EVH 5150III 50W 6L6
- Hail to the King on Fender Frontman 10G
- Hail to the King on Neural DSP Quad Cortex
- Hail to the King on Positive Grid Spark
More Avenged Sevenfold tones
- Unholy Confessions · riff
- Nightmare · riff
- Bat Country · riff
- Hail to the King · riff
- Afterlife · riff
- Seize the Day · solo
- Bat Country · solo
- Nightmare · solo
- Shepherd of Fire · riff
- Beast and the Harlot · riff