Solo Tone
Hukum Karma
Wings
Guitarmetal1980s
Original Gear
GuitarUnknown (likely Superstrat-style, possibly Ibanez or Yamaha, as used by Malaysian rock guitarists in late 80s/early 90s)
AmpUnknown (likely Marshall JCM800 or similar British high-gain amp, common for Malaysian rock/metal in late 80s/early 90s)
PickupsHumbucker in bridge position (typical for Malaysian hard rock/metal solos of era)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, circa 1988-1990. No direct source confirms exact guitar or amp model for this solo. No evidence of live rig or alternate gear for solo section.
Tone Character(10)
singing sustaintight and saturatedbright and articulate highsslightly scooped midscontrolled feedbackclear pick attacksmooth legatocutting lead presencemedium-low reverb ambienceno modulation effects audible
Difficulty
The solo requires intermediate to advanced lead technique, including fast runs, controlled bends, and expressive vibrato, but does not reach shred-level complexity.
Create an account to adapt this tone to your gear
Create Free AccountGuitarmetal1980s
Original Gear
GuitarUnknown (likely Superstrat-style, possibly Ibanez or Yamaha, as used by Malaysian rock guitarists in late 80s/early 90s)
AmpUnknown (likely Marshall JCM800 or similar British high-gain amp, common for Malaysian rock/metal in late 80s/early 90s)
PickupsHumbucker in bridge position (typical for Malaysian hard rock/metal solos of era)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb3
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, circa 1988-1990. No direct source confirms exact guitar or amp model for this solo. No evidence of live rig or alternate gear for solo section.
Tone Character(10)
singing sustaintight and saturatedbright and articulate highsslightly scooped midscontrolled feedbackclear pick attacksmooth legatocutting lead presencemedium-low reverb ambienceno modulation effects audible
Difficulty
The solo requires intermediate to advanced lead technique, including fast runs, controlled bends, and expressive vibrato, but does not reach shred-level complexity.
More Wings tones
- Taman Rasyidah Utama · solo
- Intan Ku Kesepian · solo
- Sejati · solo
- Aku Pun Tahu · solo
- Bernafas Dalam Lumpur · riff
- Intan, Ku Kesepian · solo
- Misteri Mimpi Syakila · solo
- Misteri Mimpi Syakila · solo
- ranggi metropolis · solo
- sejati · riff