Solo Tone
Misteri Mimpi Syakila
Wings
Guitarrock1990s
Original Gear
GuitarGibson SG Standard (likely, based on era and artist's usage)
AmpMarshall amplifier (exact model unknown, likely JMP or Super Lead, based on era and genre)
PickupsGibson humbuckers (stock SG Standard, likely T-Top or similar)
Amp Settings
gain7
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1991. No direct evidence for exact gear on this song, but based on genre, era, and artist's typical setup for distorted solos. No evidence of pedal use for this specific solo; likely amp-driven distortion.
Tone Character(10)
singing sustainmid-forward lead toneclassic rock cruncharticulate single-note linesmoderate gain saturationclear note separationslightly compressed attackwarm yet biting highstight low enddynamic response to picking
Difficulty
The solo requires intermediate to advanced technique, including fast melodic lines, expressive bends, and dynamic control for sustain and articulation, but does not reach shred-level complexity.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson SG Standard (likely, based on era and artist's usage)
AmpMarshall amplifier (exact model unknown, likely JMP or Super Lead, based on era and genre)
PickupsGibson humbuckers (stock SG Standard, likely T-Top or similar)
Amp Settings
gain7
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Sources
Notes
Studio recording, 1991. No direct evidence for exact gear on this song, but based on genre, era, and artist's typical setup for distorted solos. No evidence of pedal use for this specific solo; likely amp-driven distortion.
Tone Character(10)
singing sustainmid-forward lead toneclassic rock cruncharticulate single-note linesmoderate gain saturationclear note separationslightly compressed attackwarm yet biting highstight low enddynamic response to picking
Difficulty
The solo requires intermediate to advanced technique, including fast melodic lines, expressive bends, and dynamic control for sustain and articulation, but does not reach shred-level complexity.
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