Riff Tone
In the End
Green Day
Original Gear
Amp Settings
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1993-1994, Dookie album sessions. Billie Joe Armstrong used his Fernandes Strat copy ('Blue') with a Seymour Duncan JB in the bridge and a Marshall JCM900 for the main rhythm/riff tones. No evidence of pedal use for distortion on this track; distortion comes from amp gain. No evidence of additional effects or pedals in the riff section.
Tone Character(10)
Difficulty
Sources
Create an account to adapt this tone to your gear
Create Free AccountOriginal Gear
Amp Settings
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1993-1994, Dookie album sessions. Billie Joe Armstrong used his Fernandes Strat copy ('Blue') with a Seymour Duncan JB in the bridge and a Marshall JCM900 for the main rhythm/riff tones. No evidence of pedal use for distortion on this track; distortion comes from amp gain. No evidence of additional effects or pedals in the riff section.
Tone Character(10)
Difficulty
More Green Day tones
- Basket Case · riff
- Holiday · riff
- American Idiot (Live at Irving Plaza, New York, NY, 9/21/04) · riff
- When I Come Around · riff
- Brain Stew (Live in Prague) · riff
- Burnout · riff
- Boulevard of Broken Dreams (Live at Makuhari Messe, Tokyo, Japan, 3/19/05) · riff
- Jesus of Suburbia: I. Jesus of Suburbia / II. City of the Damned / III. I Don't Care / IV. Dearly Beloved / V. Tales of Another Broken Home (feat. John Gallagher Jr., Michael Esper, Stark Sands, Mary Faber & Company) · riff
- Whatsername · riff
- At the Library · riff