| Basket Case · riff | Riff · distorted | Fender Stratocaster 'Blue' heavily modified (replica of Fernandes Strat, Seymour Duncan SH-4 JB humbucker in bridge) | Marshall 1959 SLP Super Lead (modded by Martin Golub, used in studio for Dookie) | 7.5 |
| Holiday · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's original, likely 1956 model) | Marshall Plexi Super Lead (modded, often referred to as 'Pete' or 'Idiot' amp, Suhr-modded SE Lead circuit) | 7.5 |
| American Idiot (Live at Irving Plaza, New York, NY, 9/21/04) · riff | Riff · distorted | 1956 Gibson Les Paul Junior (nicknamed 'Floyd') | Marshall JCM800 2203 head with Marshall 1960A 4x12 cabinet | 7 |
| When I Come Around · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes Strat-style, Seymour Duncan JB in bridge, Bill Lawrence L-500XL in neck, DiMarzio Super Distortion in middle, but bridge pickup used for riff) | Marshall JCM800 2203 (modded, 'Dookie' mod, studio recording) | 7 |
| Brain Stew (Live in Prague) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong Signature, Silver Sparkle or TV Yellow, singlecut/doublecut, as used live in the 1990s) | Marshall 100W Plexi Lead (Super Lead 1959, live rig, 1990s) | 7 |
| Burnout · riff | Riff · distorted | Fender Stratocaster 'Blue' (Billie Joe Armstrong's Fernandes Strat copy, aka 'Blue') | Marshall JCM900 4100 100-watt Tube Head | 7 |
| Boulevard of Broken Dreams (Live at Makuhari Messe, Tokyo, Japan, 3/19/05) · riff | Riff · distorted | Fender Stratocaster 'Blue' (Billie Joe Armstrong's main live guitar for American Idiot era) | Marshall 100-watt Super Lead with 'Dookie' mod (main), Marshall SE Lead mod (secondary, mids scooped) | 6.5 |
| Jesus of Suburbia: I. Jesus of Suburbia / II. City of the Damned / III. I Don't Care / IV. Dearly Beloved / V. Tales of Another Broken Home (feat. John Gallagher Jr., Michael Esper, Stark Sands, Mary Faber & Company) · riff | Riff · distorted | Gibson ES-135 | Marshall Plexi (likely 1959SLP or similar, as used by Billie Joe Armstrong in studio for American Idiot era) | 7.5 |
| Whatsername · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's signature, likely 2003-2004 model) | Marshall JCM800 2203 (studio, borrowed from Rob Cavallo for American Idiot sessions) | 7.5 |
| At the Library · riff | Riff · distorted | Gibson Les Paul Junior (TV Yellow, singlecut, 1956 or reissue) | Marshall Plexi (likely Super Lead 1959, modded, or JCM800; exact model for '39/Smooth' era not confirmed, but Marshall stack is most probable per era and genre) | 6.5 |
| Longview (Live) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong Signature or TV Yellow Doublecut, tuned to Eb, with Seymour Duncan P-90 Antiquity in bridge) | Marshall Plexi (likely JCM800 or Super Lead, as used by Billie Joe Armstrong for live Green Day performances in this era) | 7 |
| Welcome to Paradise · riff | Riff · distorted | Fernandes Stratocaster 'Blue' (heavily modified, single bridge humbucker) | Marshall Super Lead (Dookie modded, likely JCM800 or Plexi variant, 4x12 cab) | 7 |
| 2000 Light Years Away · riff | Riff · distorted | Fender Bullet Deluxe (early 1980s, black, with Seymour Duncan JB Jr. in bridge) | Marshall JCM800 2203 (assumed based on era, genre, and Billie Joe Armstrong's known studio rig for 'Kerplunk!') | 6 |
| Hitchin' a Ride · riff | Riff · distorted | Gibson Les Paul Junior (singlecut, silver-sparkle, signature model) | Fender Bassman head (likely into Marshall 4x12 with Celestion Greenbacks) | 7 |
| 21 Guns · riff | Riff · distorted | 1950s Gibson Les Paul Black Beauty | Marshall Super Lead 100-Watt Head (with 'Dookie Mod') | 6.5 |
| American Idiot · riff | Riff · distorted | Gibson Les Paul Junior Billie Joe Armstrong Signature | Marshall Plexi Super Lead 1959SLP (main), with possible layering of Orange Overdrive OD120 | 7.5 |
| East Jesus Nowhere · riff | Riff · distorted | Gibson Les Paul Junior (TV Yellow, likely 1950s reissue or custom shop, single P-90 pickup) | Marshall Plexi (likely 1959SLP or JCM800, as used by Billie Joe Armstrong in studio for 21st Century Breakdown era) | 7.5 |
| Know Your Enemy · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, single cut, likely black finish) | Marshall JMP 1959SLP MKII (Dookie mod) into 4x12 cab (studio recording, 2008/2009 era) | 7 |
| Armatage Shanks · riff | Riff · distorted | Gibson Les Paul Junior (1956, Billie Joe Armstrong's original 'Floyd') | Marshall JCM800 2203 head with Marshall 1960A 4x12 cabinet (studio recording, 1995) | 7.5 |
| Basket Case · solo | Solo · distorted | Fender Stratocaster 'Blue' (heavily modded, Fernandes body, maple neck, Seymour Duncan JB bridge pickup) | Marshall JCM900 4100 100-watt Tube Head into Marshall 1960B 4x12 Cabinet | 7 |
| Boulevard of Broken Dreams (Live at Makuhari Messe, Tokyo, Japan, 3/19/05) · solo | Solo · distorted | Gibson Les Paul Junior (Billie Joe Armstrong Signature, silver-sparkle, singlecut, live 2005) | Marshall JCM800 2203 (through Marshall 4x12 cab with Celestion Vintage 30s) | 5.5 |
| Good Riddance (Time of Your Life) [Live] · riff | Riff · clean | Gibson Billie Joe Armstrong J-180 Acoustic Guitar | Direct to PA (typical for live acoustic), sometimes through DI box; no electric guitar amp used | 0 |
| Haushinka · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's 1956 'Floyd') | Marshall Plexi Super Lead 1959 SLP (modded, likely with Mesa/Boogie Mark IIC+ blended in studio) | 7 |
| Letterbomb (Live at Irving Plaza, New York, NY, 9/21/04) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, 2003-2004 era) | Marshall Plexi Super Lead (modded, known as 'Pete' or 'Dookie' mod), slaved via C.A.E. 3+ preamp into Marshall power section | 7 |
| Murder City · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956, Billie Joe Armstrong's main studio guitar for 21st Century Breakdown) | Marshall Plexi Super Lead 1959SLP (main studio amp for 21st Century Breakdown) | 7 |
| She · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956 or 1957, 'Floyd') | Marshall Super Lead 1959 SLP (Dookie modded, blended with Marshall Super Bass 100, both 1970s models) | 6 |
| Wake Me Up When September Ends · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's signature model, likely 1956 or reissue, with P-90 pickup) | Marshall Plexi (likely Marshall 1959SLP or JCM800, as used on American Idiot sessions) | 5.5 |
| ¡Viva la Gloria! · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956 or Custom Shop reissue, Billie Joe Armstrong signature) | Marshall Plexi Super Lead (1959SLP, likely modded, or Marshall JCM800; studio use typical for 21st Century Breakdown era) | 6.5 |
| ¿Viva la Gloria? (Little Girl) · riff | Riff · distorted | Fender Telecaster (likely American Standard or similar, as used by Billie Joe Armstrong on 21st Century Breakdown) | Marshall amplifier (likely Marshall Plexi or JCM800, as used by Billie Joe Armstrong in studio for 21st Century Breakdown) | 5 |
| 1981 · riff | Riff · distorted | Fender Stratocaster (likely Billie Joe Armstrong's Fernandes 'Blue' Strat copy, as used on most Green Day studio recordings) | Modded Marshall Plexi (Dookie/crunch/Bradshaw/Golub/Suhr/LASD-modded, as referenced for Saviors era) | 7.5 |
| 21 Guns · solo | Solo · distorted | 1950s Gibson Les Paul Black Beauty | Divided by 13 FTR 37 | 6.5 |
| 21 Guns · riff | Riff · clean | 1970s Martin D-41 | 1958 Fender Twin 5F8-4 Combo Amp | 0 |
| 21st Century Breakdown · riff | Riff · distorted | 1970s Fender Stratocaster (Olympic White) | Marshall JMP 1959SLP MKII (with Dookie mod) | 7.5 |
| 86 · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes Strat copy, Seymour Duncan JB in bridge) | Marshall Super Lead 100 (modded 'Dookie' amp, late 60s/early 70s Plexi, Bradshaw/Golub/Suhr mods) | 7 |
| 99 Revolutions · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely with custom mods) | Marshall 1959 SLP Super Lead (Dookie modded, studio version; Marshall JCM800/900 for live) | 6.5 |
| All By Myself · riff | Riff · distorted | Fender Stratocaster (likely MIJ or MIM, early 90s, stock single coils) | Marshall 100-watt Super Lead 1959 SLP reissue (Dookie mod and SE Lead mod), through Marshall 1960B 4x12 with Celestion Vintage 30s | 5 |
| american eulogy · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature or vintage, P-90 pickup) | Marshall Plexi Super Lead (JMP 1959 or modded JCM800, studio recording) | 6.5 |
| american idiot · distorted | Distorted · distorted | Fender Precision Bass (Mike Dirnt Signature and/or Standard Precision Bass) | Ampeg SVT (likely vintage Blackline 1972-1975 head with Ampeg 8x10 cab) | 6 |
| Bang Bang · riff | Riff · distorted | Fender American Telecaster (Billie Joe Armstrong signature, likely with Seymour Duncan SH-4 JB bridge humbucker, as per Armstrong's known mods for modern Green Day recordings) | Marshall Plexi (heavily modded, Dookie/Bradshaw/Golub/Suhr/LASD circuit, as used on 'Revolution Radio' era studio recordings) | 6.5 |
| Basket Case · clean | Clean · clean | Fender Player II Modified Active Precision Bass | Ampeg SVT (likely SVT Classic or similar 1990s tube head) | 0 |
| Basket Case · riff | Riff · clean | Fernandes Stratocaster 'Blue' (modded, likely with Seymour Duncan JB in bridge) | Marshall Super Lead 100 (Plexi, 'Pete' with Dookie Mod), Marshall 1960A cab | 0 |
| Basket Case (Live) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong Signature or TV Yellow Doublecut, depending on the specific live era) | Marshall 1959 SLP Plexi Head (with Bradshaw Gain Mod, known as 'Pete') | 7 |
| Bobby Sox · riff | Riff · distorted | Gibson Les Paul Junior 'Floyd' (Billie Joe Armstrong signature, likely used for riff sections on Saviors era recordings) | Marshall Plexi Super Lead 1959SLP (modded for Dookie sound, as per Armstrong's typical studio setup for distorted rhythm) | 7 |
| boulevard of broken dreams · riff | Riff · clean | Gibson ES-335 (red, Idiot-era, with piezo saddles) | Custom Audio Electronics 3+ SE tube preamp into Marshall 100-watt 1959 SLP reissue heads (Dookie mod and SE Lead mod), into Marshall 1960B 4x12 cabinets with Celestion Vintage 30s | 0 |
| boulevard of broken dreams · riff | Riff · distorted | Fender American Telecaster | Marshall Plexi 1959SLP (Dookie modded, studio recording) | 7 |
| Boulevard of Broken Dreams (Live at Makuhari Messe, Tokyo, Japan, 3/19/05) · riff | Riff · clean | Gibson ES-335 (red, with piezo saddles) | Marshall 100-watt head (Dookie mod and SE Lead mod), CAE 3+ SE tube preamp for clean tones | 0 |
| Brain Stew (Live in Prague) · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong signature, TV Yellow, singlecut, P-90 bridge pickup) | Marshall 100-watt Super Lead (modded, 'Dookie' mod, live rig) | 0 |
| Brain Stew (Live in Prague) · solo | Solo · distorted | Gibson SG (red, strap taped, covered in stickers) | Marshall JCM 800 (live rig, classic for Green Day in this era) | 7.5 |
| Brat · riff | Riff · distorted | Fender Stratocaster (likely Fernandes Strat copy, as used by Billie Joe Armstrong on Insomniac) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1995) | 7.5 |
| Castaway · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's Fernandes 'Blue' Strat copy, Seymour Duncan JB bridge humbucker, as used on Warning album) | Marshall Plexi Super Lead (likely 1959SLP, as used on Warning sessions) | 6.5 |
| Chump · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956, single P-90, as used by Billie Joe Armstrong on 'Dookie') | Marshall Super Lead Plexi (100 watt, Bradshaw/Dookie mod, as used on 'Dookie' studio recording) | 6.5 |
| Church On Sunday · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956, 'Floyd') | Marshall Plexi Super Lead (1959 SLP, modded 'Dookie' spec) | 7 |
| Cigarettes and Valentines (Live) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, live version) | Marshall 1959SLP Super Lead 100-watt head with 'Dookie' mod | 7 |
| cigarretes and valentines · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956 or 1957, Billie Joe Armstrong's main studio guitar for this era) | Marshall Plexi Super Lead (likely 1959SLP, modded, as per Armstrong's studio rig for early 2000s) | 7.5 |
| Coming Clean · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's original or signature model, single P-90 pickup) | Marshall 1959SLP Super Lead (Dookie Mod by Martin Golub/CAE) | 6.5 |
| corvette summer · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2023/2024 model) | Marshall Super Lead 1959 SLP (Dookie mod, studio version) | 6.5 |
| Dilemma · solo | Solo · distorted | Gibson ES-335 Satin | Marshall Plexi (modded, likely JCM800 or similar, as used on Saviors era) | 7 |
| Dilemma · riff | Riff · distorted | Gibson ES-335 Satin | Modded Marshall Plexi (Bradshaw/Golub/Suhr/LASD variant, likely Dookie-style mod) | 7 |
| Disappearing Boy · riff | Riff · distorted | Fernandes The Revival RST-50 Stratocaster (early 1980s Japanese Strat copy, black, maple neck, stock pickups, as used by Billie Joe Armstrong on '39/Smooth') | Peavey Studio Pro 40 (solid-state combo, 1980s, as used on '39/Smooth' sessions) | 7 |
| Do Da Da · riff | Riff · distorted | Gibson Les Paul Junior | Marshall JCM900 4100 | 6.5 |
| Emenius Sleepus · riff | Riff · distorted | Fender Stratocaster 'Blue' (heavily modded, Fernandes body, Seymour Duncan JB bridge humbucker, maple neck, single volume knob, no tone knob) | Marshall Super Lead 1959 SLP (modded 'Dookie' and 'SE Lead' heads, both run together, 100-watt, EL34 tubes, Marshall 4x12 cabinets with Celestion Vintage 30 speakers) | 6.5 |
| Father of All... · riff | Riff · distorted | Gibson Les Paul Junior (likely 2019 signature model, as used by Billie Joe Armstrong in studio) | Marshall 1959SLP Super Lead 100-watt Tube Head | 7 |
| forever now · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2010s reissue) | Marshall 100-watt Super Lead (Dookie mod) + Marshall 100-watt SE Lead (mids scooped) | 7 |
| Geek Stink Breath · riff | Riff · distorted | Gibson Les Paul Junior (1956, Billie Joe Armstrong's main studio guitar for Insomniac) | Marshall Plexi Super Lead 1959 (100W, likely with Marshall 4x12 cabinet, Celestion Greenback speakers) | 7 |
| Give Me Novacaine · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956, 'Floyd' or 'Whitey') | Marshall Plexi Super Lead (Dookie Mod) and/or Park 75 (studio, American Idiot era) | 6.5 |
| Going to Pasalacqua · riff | Riff · distorted | Fender Stratocaster (Fernandes 'The Strat') | Marshall JCM800 2203 head with 4x12 cabinet | 7 |
| Going to Pasalacqua · clean | Clean · clean | Fender Precision Bass (likely late 60s/early 70s, passive, roundwound strings) | Yamaha G100 guitar amp through Mesa 6x10 cab (Kerplunk era studio); live: Fender Super Bassman | 0 |
| Good Riddance (Time of Your Life) [Live at Makuhari Messe, Tokyo, Japan, March 18, 2001] · riff | Riff · clean | Gibson J-45 Acoustic | Direct Input (DI) or acoustic amp (model unknown, likely DI for live performance) | 0 |
| Good Riddance (Time of Your Life) [Live] · solo | Solo · clean | Martin D-28 Acoustic (with pickup for live amplification) | None (direct to PA/DI for live, or possibly Fishman Aura DI Preamp as per recent live rigs) | 2 |
| Ha Ha You're Dead · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, 2000s, likely with stock P-90 pickup) | Marshall Plexi Super Lead 1959SLP (100W, likely with Marshall 1960A 4x12 cabinet, studio recording setup) | 7 |
| Happiness · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, P-90 pickup) | Marshall Plexi (modded Dookie-style, likely Bradshaw/Golub/Suhr/LASD-modded) | 7.5 |
| Haushinka · riff | Riff · clean | Fender Stratocaster (likely American Standard, 1997 studio recording) | Marshall Plexi Super Lead (likely 1959SLP, studio recording) | 4.5 |
| Having a Blast · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes Strat-style, Seymour Duncan SH-4 JB in bridge, DiMarzio Super Distortion in neck, stock middle pickup, with Bill Lawrence L-500XL bridge pickup swapped in later Dookie sessions) | Marshall Super Lead 1959 SLP (100-watt, modded, with Mesa/Boogie .50 Caliber+ for blending) | 7.5 |
| Hitchin' a Ride · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong signature or TV Yellow doublecut, P-90 bridge pickup, Eb tuning) | Marshall 100-watt Super Lead (Dookie mod, studio recording) | 0 |
| Holiday · clean | Clean · clean | Fender Precision Bass (Mike Dirnt signature or vintage P-Bass) | Ampeg SVT Classic (likely SVT-CL or vintage SVT head with 8x10 cab) | 0 |
| Holiday · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong signature, singlecut, likely with Seymour Duncan P-90 Antiquity in bridge) | Marshall JCM800/900 (Dookie mod and SE Lead mod heads blended, as per studio recording) | 0 |
| Holiday · solo | Solo · distorted | Gibson Les Paul Junior (Billie Joe Armstrong Signature, likely 2003-2004 model) | Marshall 100-watt Super Lead (Dookie mod, paired with SE Lead mod head) | 5.5 |
| In the End · riff | Riff · distorted | Fender Stratocaster (1980s-early 1990s, 'Blue' Fernandes Strat copy, likely used on Dookie) | Marshall JCM900 100W head into Marshall 1960A 4x12 cabinet | 7 |
| Jaded (Live in Prague) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, live 1996 era) | Marshall 1959SLP Super Lead 100-watt head (modded: Bradshaw gain mod and SE Lead mod), through Marshall 1960B 4x12 cabinet with Celestion Vintage 30 speakers | 6 |
| Jesus of Suburbia: I. Jesus of Suburbia / II. City of the Damned / III. I Don't Care / IV. Dearly Beloved / V. Tales of Another Broken Home (feat. John Gallagher Jr., Michael Esper, Stark Sands, Mary Faber & Company) · solo | Solo · distorted | Gibson ES-135 Electric Guitar | Marshall 100-watt 1959 SLP reissue heads (Dookie mod and SE Lead mod) into Marshall 1960B cabs with Celestion Vintage 30s | 5.5 |
| Last Night On Earth · riff | Riff · clean | Gibson Les Paul Junior (likely 1956, Billie Joe Armstrong's main studio guitar for 21st Century Breakdown era) | Marshall Plexi Super Lead 1959SLP (studio, 2008 recording era, likely used for clean tones on 21st Century Breakdown) | 0 |
| Last of the American Girls · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, single P-90 pickup) | Marshall 100-watt Super Lead head with 'Dookie' mod (studio recording, 2008-2009) | 5.5 |
| Lazy Bones · riff | Riff · distorted | Gibson Les Paul Junior | Marshall 100-watt 1959 SLP reissue (Dookie mod and SE Lead mod), Marshall 1960B cabinet with Celestion Vintage 30s | 6.5 |
| Letterbomb · riff | Riff · distorted | Gibson Les Paul Junior | Marshall 'Idiot' Amp (JCM800 modded) and Park 75 (Dookie modded), blended | 6 |
| Letterbomb (Live at Irving Plaza, New York, NY, 9/21/04) · solo | Solo · distorted | Gibson Les Paul Junior (Billie Joe Armstrong's main live guitar, 2004 era) | Marshall 1959SLP Plexi (Dookie mod, live rig, 2004) | 6.5 |
| Longview · clean | Clean · clean | Gibson G3 Grabber | Ampeg SVT (likely vintage 1970s/early 80s head with 8x10 cab) | 0 |
| Longview (Live) · clean | Clean · clean | Gibson G3 Grabber (mid‑1970s) | Ampeg SVT‑II head + Ampeg SVT‑810E 8×10 cabinet | 0 |
| maria · riff | Riff · distorted | Fernandes Stratocaster 'Blue' (Billie Joe Armstrong's main guitar for late 90s/early 2000s recordings) | Marshall Plexi 1959SLP (100-watt, with 'Dookie' mod by Martin Golub) | 7 |
| minority · riff | Riff · distorted | Fender American Standard Stratocaster (Billie Joe Armstrong's main guitar for 'Minority' studio recording, 2000) | Marshall Plexi Super Lead 1959SLP (modded, used in studio for 'Minority') | 7 |
| Missing you · riff | Riff · distorted | Gibson Les Paul Junior (likely 2012 Billie Joe Armstrong signature, P-90 pickup) | Marshall JCM800 2203 (studio recording, likely with 'Dookie' mod or similar high-gain mod) | 6.5 |
| No One Knows · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes The Revival RST-50 '57, Sonic Blue, 1980s Japanese reissue) | Marshall Plexi Super Lead 1959SLP 100W (modded, likely with Dookie mod or similar high-gain mod) | 6 |
| No One Knows · clean | Clean · clean | Fender Precision Bass (likely 1969 or 1952 model, passive) | Ampeg SVT (studio era, likely original blue-line or black-line) | 0 |
| Nuclear Family · riff | Riff · distorted | Fender American Telecaster (Billie Joe Armstrong's main studio guitar for ¡Uno! era) | Marshall Plexi 1959SLP (main studio amp for Green Day distorted tones in the 2010s, especially ¡Uno! era) | 7 |
| Oh Love · riff | Riff · distorted | Fender Telecaster 'Blue' (Billie Joe Armstrong's main guitar for ¡Uno!/Oh Love studio recording) | Marshall Plexi Super Lead (Bradshaw/Golub/Suhr-modded, 'Dookie-esque' circuit, as used on ¡Uno! sessions) | 6.5 |
| One eyed bastard · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature likely, as used on Saviors sessions) | Marshall Plexi Super Lead (1959 SLP, as used on Saviors album sessions) | 7 |
| One of My Lies · riff | Riff · distorted | Fernandes Stratocaster copy (Blue, aka 'Blue') | Marshall JCM900 4100 100-watt Tube Head | 7 |
| Only of You · riff | Riff · distorted | Fernandes Stratocaster 'The Blue' (early 80s, stock single coil pickups, likely bridge position) | Gallien-Krueger 250ML | 6 |
| Paper Lanterns · riff | Riff · distorted | Fernandes Stratocaster (Billie Joe Armstrong's blue 'Blue') | Gallien-Krueger 250ML | 7 |
| Pulling Teeth · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes LE-1, heavily modified, Seymour Duncan JB in bridge) | Marshall JCM900 4100 100-watt Tube Head | 6 |
| Redundant · riff | Riff · distorted | Gibson Les Paul Junior (likely 1956, Billie Joe Armstrong's main studio guitar for Nimrod era) | Marshall 100-watt Super Lead (late '70s JMP, with Dookie mod, used for main rhythm/riff tones on Nimrod) | 7.5 |
| Reject · riff | Riff · distorted | Fender Fernandes Stratocaster 'Blue' (modded, Seymour Duncan SH-4 JB in bridge) | Marshall 100-watt Super Lead 1959 SLP (Dookie mod by Martin Golub), Marshall 1960B 4x12 cabinet with Celestion Vintage 30s | 6.5 |
| Revolution Radio · solo | Solo · distorted | Gibson Les Paul Junior (1956, single cutaway, likely original P-90 pickup) | Divided by 13 FTR 37 head into Marshall 1960B 4x12 cab with Celestion Vintage 30s | 7 |
| Revolution Radio · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2010s production) | Divided by 13 FTR 37 head into Marshall 4x12 cabinet | 7.5 |
| Rusty James · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2010s reissue) | Marshall Super Lead 1959SLP (modded, likely with Jose or Dookie mod, into Marshall 4x12 cabinet) | 7.5 |
| Sassafras Roots · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's Fernandes 'Blue' Strat copy, Seymour Duncan JB in bridge) | Marshall JCM900 4100 100-watt Tube Head | 7 |
| Scattered · riff | Riff · distorted | Fender Custom Shop Telecaster (Nimrod era, with humbucker in bridge) | Hiwatt Custom 100 Amplifier Head | 7 |
| Scumbag · riff | Riff · distorted | Fender Stratocaster 'Blue' (Billie Joe Armstrong's heavily modded Strat-style guitar with Seymour Duncan SH-4 JB humbucker in bridge) | Marshall DSL (Dual Super Lead) 100-watt head | 7 |
| see the light · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2008-2009 model) | Marshall JMP 2203 (modded, likely 'Dookie' mod), through Marshall 1960B 4x12 cabinet with Celestion Vintage 30 speakers | 6.5 |
| She · clean | Clean · clean | Fender Precision Bass (Mike Dirnt signature or similar 50s/60s P-Bass) | Ampeg SVT Classic + 8x10 cabinet | 0 |
| She's a Rebel · riff | Riff · distorted | Gibson Les Paul Junior 'Floyd' (likely 1956, single cutaway, used for American Idiot sessions) | Marshall Plexi Super Lead (Dookie Mod) and Park 75 (used in blend for American Idiot rhythm tones) | 7.5 |
| Smash It Like Belushi · riff | Riff · distorted | Gibson Les Paul Junior (likely 2023 signature model) | Marshall 100-watt Super Lead (Dookie mod) + Marshall SE Lead (mids scooped, blended in studio) | 7 |
| St. Jimmy (feat. John Gallagher Jr., Miguel Cervantes, Declan Bennett, Theo Stockman, Tony Vincent & Company) · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2003-2004 model) | Marshall Plexi Super Lead 1959SLP (with Marshall 4x12 cabinet, likely Celestion Greenbacks) | 7 |
| Stay the Night · riff | Riff · distorted | Fender American Telecaster (Billie Joe Armstrong's main studio guitar for ¡Uno! era) | Marshall Plexi Super Lead 1959SLP (cranked, studio recording, likely with Marshall 1960A 4x12 cab) | 7.5 |
| Still Breathing · riff | Riff · clean | Gibson Les Paul Junior (likely 2016 Billie Joe Armstrong signature model) | Marshall Plexi Super Lead (likely 1959SLP reissue, studio recording) | 0 |
| Still Breathing · riff | Riff · distorted | Gibson Les Paul Junior (likely 2010s reissue, Billie Joe Armstrong signature model) | Marshall Plexi Super Lead (1959SLP, likely modded or with attenuator, as per Revolution Radio era studio use) | 6 |
| Stop When the Red Lights Flash · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's main guitar for Dos! sessions, likely with Seymour Duncan SH-4 JB humbucker in bridge) | Marshall Plexi 1959SLP (likely with Marshall 1960A 4x12 cab, as used in Dos! recording sessions) | 7 |
| Strange Days Are Here to Stay · riff | Riff · distorted | Fender Stratocaster Road Worn 50's (sunburst, maple neck) | Roland JC-120 Jazz Chorus | 5.5 |
| Stuck with Me (Live in Prague) · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's main live guitar, likely Fernandes Strat copy 'Blue') | Marshall JCM900 100W Head with Marshall 1960A 4x12 Cabinet | 7 |
| Stuck with Me (Live in Prague) · clean | Clean · clean | Fender Mike Dirnt Signature Precision Bass | Fender Super Bassman (custom, tube head) into 4x10 cab (live rig, 2020s) | 0 |
| Sweet 16 · riff | Riff · distorted | Gibson Les Paul Junior | Marshall DSL40CR | 6 |
| The Judge's Daughter · riff | Riff · distorted | Fernandes The Revival RST-50 Stratocaster (early 1980s Japanese Strat copy, black, maple neck, stock pickups) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1993) | 5 |
| Tight Wad Hill · riff | Riff · distorted | Fender Stratocaster 'Blue' (heavily modded, Seymour Duncan JB in bridge) | Marshall 1959 Super Lead (Dookie modded, used in studio for Insomniac era) | 6 |
| Waiting · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong signature, singlecut, likely silver-sparkle finish) | Custom Audio Electronics 3+ SE tube preamp (for clean tone) into Marshall 100-watt 1959 SLP reissue heads (Dookie mod and SE Lead mod) into Marshall 1960B cabinets with Celestion Vintage 30s | 0 |
| Waiting · solo | Solo · distorted | Gibson Les Paul Junior (likely 1956 or 1957, single cutaway, P-90 pickup) | Marshall 1959SLP Super Lead 100-watt head (Dookie mod) into Marshall 1960B 4x12 cabinet with Celestion Vintage 30s | 6 |
| Waiting · riff | Riff · distorted | Fender Stratocaster (likely Billie Joe Armstrong's Fernandes 'Blue' Stratocaster, as used on 'Warning' album sessions) | Marshall JMP 2203 (100-watt, as used in studio for 'Warning' era, borrowed from producer Rob Cavallo) | 6 |
| Wake Me Up When September Ends · solo | Solo · clean | Gibson Les Paul Junior (likely 1956, Billie Joe Armstrong's main studio guitar for American Idiot era) | Marshall JMP 2203 (borrowed from producer Rob Cavallo, used on American Idiot studio recordings) | 0 |
| Wake Me Up When September Ends · solo | Solo · distorted | Gibson Les Paul Junior Billie Joe Armstrong Signature | Divided by 13 FTR 37 | 6 |
| Wake Me Up When September Ends · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong's signature model, singlecut, likely 2003-2004 production) | Marshall Plexi Super Lead 1959SLP (Dookie mod, studio recording amp) | 3.5 |
| walk away · riff | Riff · distorted | Gibson Les Paul Junior 'Blue' | Marshall Plexi (1959SLP, modded for extra gain, aka 'Dookie Mod') | 7 |
| Walking Contradiction · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's Fernandes 'Blue' Strat copy, Seymour Duncan JB in bridge) | Marshall JCM800 2203 head with Marshall 1960A 4x12 cabinet | 7 |
| Welcome to Paradise · clean | Clean · clean | Fender Precision Bass (early 1970s, likely 1973-74, passive, ash body, maple neck) | Fender Bassman (likely Silverface era, studio), possible Ampeg SVT for live | 0 |
| Welcome to Paradise · distorted | Distorted · distorted | Gibson G3 Grabber (Dookie-era) or Fender Precision Bass Plus (active pickups) | Fender Super Bassman (studio DI) and possibly modded Marshall heads live | 6.5 |
| Welcome to Paradise · riff | Riff · clean | Fernandes 'The Strat' (Billie Joe Armstrong's blue Strat copy, neck and middle pickups disconnected, Seymour Duncan JB humbucker in bridge) | Marshall 100-watt 1959 SLP reissue head (with Dookie mod) into Marshall 1960B 4x12 cabinet with Celestion Vintage 30s | 0 |
| Welcome to Paradise · solo | Solo · distorted | Fernandes 'The Revival' Stratocaster (aka 'Blue') | Marshall Super Lead 1959 SLP (modded, used on Dookie album) | 8 |
| Welcome to Paradise (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001) · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes Revival RST-50, heavily modded, Seymour Duncan Hot Rails in bridge) | Marshall JCM800 2203 (100-watt head, likely with Dookie mod, live rig) | 6.5 |
| Westbound Sign · solo | Solo · distorted | Fender Stratocaster 'Blue' (heavily modded, Seymour Duncan JB in bridge) | Marshall 100-watt Super Lead (1959 SLP) with 'Dookie' mod | 6.5 |
| Westbound Sign · riff | Riff · clean | Fender Stratocaster (likely 1970s or 1980s Japanese model, as used by Billie Joe Armstrong on Insomniac clean parts) | Fender Bassman (silverface, 1970s, studio recording amp for clean tones on Insomniac) | 0 |
| Westbound Sign · riff | Riff · distorted | Fender Stratocaster 'Blue' (Fernandes Strat copy, Seymour Duncan SH-4 JB bridge humbucker, single volume knob, no tone knob, hardtail bridge) | Marshall Plexi Super Lead 1959 (modded, likely with EL34s, 100W, cranked for distortion) | 7.5 |
| Whatsername · riff | Riff · clean | Gibson Les Paul Junior (Billie Joe Armstrong Signature, likely 2003-2004 production) | Marshall Plexi Super Lead 1959SLP (100W, likely with 1960A 4x12 cabinet, studio recording era) | 0 |
| When I Come Around · distorted | Distorted · distorted | Fender Precision Bass (Mike Dirnt Signature or vintage P-Bass, likely with '59 pickup set) | Ampeg SVT 'Blackline' (1972-1975) with Ampeg 8x10 cabinet | 6 |
| When I Come Around · solo | Solo · clean | Fernandes 'The Revival' RST-50 Stratocaster copy ('Blue') | Marshall 1959 Super Lead Plexi (100-watt, non-master volume, cranked) | 0 |
| When I Come Around · clean | Clean · clean | Fender Precision Bass (Mike Dirnt Signature or vintage P-Bass) | Fender Super Bassman (studio likely Ampeg SVT or similar tube amp, but Super Bassman confirmed for live; Dookie era often associated with Ampeg SVT) | 0 |
| When I Come Around · riff | Riff · clean | Fender Stratocaster (Charvel Strat-style, as used on Dookie sessions) | Marshall JCM900 4100 | 0 |
| When I Come Around (BBC Live Session) · riff | Riff · distorted | Fender Toronado Deluxe | Marshall JCM900 (likely, based on era and live BBC session context) | 6 |
| Wild One · riff | Riff · distorted | Gibson Les Paul Junior (Billie Joe Armstrong signature, likely 2012 model) | Marshall Plexi 1959SLP (modified, studio recording) | 7 |
| X-Kid · riff | Riff · distorted | Fender Stratocaster (Billie Joe Armstrong's main studio guitar for ¡Tré! era rhythm parts, likely American Standard or similar, with Seymour Duncan SH-4 JB humbucker in bridge) | Marshall Plexi (likely Super Lead 1959 SLP, as used by Billie Joe Armstrong in studio for Green Day's modern albums) | 6.5 |