Riff Tone
Rusty James
Green Day
Guitarpunk2010s+
Original Gear
GuitarGibson Les Paul Junior (Billie Joe Armstrong signature, likely 2010s reissue)
AmpMarshall Super Lead 1959SLP (modded, likely with Jose or Dookie mod, into Marshall 4x12 cabinet)
PickupsSeymour Duncan Antiquity P-90 single-coil
Amp Settings
gain7.5
bass7
mid7
treble7.5
reverb1
presence6.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
eqBoss Boss GE-7 Graphic Equalizer
Notes
Studio recording, 2011 (¡Tré! sessions). Gear based on Billie Joe Armstrong's known studio rig for this era. No evidence of alternate guitars/amps for this riff section.
Tone Character(10)
mid-heavy, punchy rhythm tonetight, percussive palm-muted power chordsaggressive, saturated distortionarticulate attack with strong pick dynamicsvery dry, little to no reverbmodern punk crunchslightly boosted mids for clarityfull-bodied, thick low endbright, cutting top endcompressed, focused sound
Difficulty
The riff requires tight palm muting and fast, accurate power chord changes at a medium tempo, but uses straightforward punk techniques without advanced lead work.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarpunk2010s+
Original Gear
GuitarGibson Les Paul Junior (Billie Joe Armstrong signature, likely 2010s reissue)
AmpMarshall Super Lead 1959SLP (modded, likely with Jose or Dookie mod, into Marshall 4x12 cabinet)
PickupsSeymour Duncan Antiquity P-90 single-coil
Amp Settings
gain7.5
bass7
mid7
treble7.5
reverb1
presence6.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
eqBoss Boss GE-7 Graphic Equalizer
Notes
Studio recording, 2011 (¡Tré! sessions). Gear based on Billie Joe Armstrong's known studio rig for this era. No evidence of alternate guitars/amps for this riff section.
Tone Character(10)
mid-heavy, punchy rhythm tonetight, percussive palm-muted power chordsaggressive, saturated distortionarticulate attack with strong pick dynamicsvery dry, little to no reverbmodern punk crunchslightly boosted mids for clarityfull-bodied, thick low endbright, cutting top endcompressed, focused sound
Difficulty
The riff requires tight palm muting and fast, accurate power chord changes at a medium tempo, but uses straightforward punk techniques without advanced lead work.
More Green Day tones
- Basket Case · riff
- Holiday · riff
- American Idiot (Live at Irving Plaza, New York, NY, 9/21/04) · riff
- When I Come Around · riff
- Brain Stew (Live in Prague) · riff
- Burnout · riff
- Boulevard of Broken Dreams (Live at Makuhari Messe, Tokyo, Japan, 3/19/05) · riff
- Jesus of Suburbia: I. Jesus of Suburbia / II. City of the Damned / III. I Don't Care / IV. Dearly Beloved / V. Tales of Another Broken Home (feat. John Gallagher Jr., Michael Esper, Stark Sands, Mary Faber & Company) · riff
- Whatsername · riff
- At the Library · riff