Riff Tone
Into the Fire
Dokken
Guitarmetal1980s
Original Gear
GuitarCharvel Superstrat (custom, likely maple neck, Floyd Rose, single humbucker)
AmpRandall RG-80 (solid state head, 1983-84) with Echoplex preamp boost
PickupsSeymour Duncan Distortion humbucker (SH-6, bridge position)
Amp Settings
gain8
bass6
mid5
treble7.5
reverb1.5
presence6.5
Effects & Signal Chain
boostMaestro Echoplex (used as preamp boost, not for echo)
Notes
Studio recording, 1984. George Lynch used a Charvel Superstrat with a Seymour Duncan Distortion in the bridge, into a Randall RG-80 head, with an Echoplex used as a preamp boost. No evidence of Marshall or Soldano for this specific recording. Settings estimated due to lack of explicit numbers in sources.
Tone Character(10)
tight and percussivehigh-gain saturationaggressive palm mutingfull-bodied rhythmarticulate pick attackcrisp top endscooped but present midssinging sustainclassic 80s metal crunchslightly compressed
Difficulty
The riff requires tight, fast alternate picking with heavy palm muting and precise rhythm, typical of 80s metal. While not as complex as the solo, the speed and articulation demand intermediate to advanced technique.
Sources
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Create Free AccountGuitarmetal1980s
Original Gear
GuitarCharvel Superstrat (custom, likely maple neck, Floyd Rose, single humbucker)
AmpRandall RG-80 (solid state head, 1983-84) with Echoplex preamp boost
PickupsSeymour Duncan Distortion humbucker (SH-6, bridge position)
Amp Settings
gain8
bass6
mid5
treble7.5
reverb1.5
presence6.5
Effects & Signal Chain
boostMaestro Echoplex (used as preamp boost, not for echo)
Notes
Studio recording, 1984. George Lynch used a Charvel Superstrat with a Seymour Duncan Distortion in the bridge, into a Randall RG-80 head, with an Echoplex used as a preamp boost. No evidence of Marshall or Soldano for this specific recording. Settings estimated due to lack of explicit numbers in sources.
Tone Character(10)
tight and percussivehigh-gain saturationaggressive palm mutingfull-bodied rhythmarticulate pick attackcrisp top endscooped but present midssinging sustainclassic 80s metal crunchslightly compressed
Difficulty
The riff requires tight, fast alternate picking with heavy palm muting and precise rhythm, typical of 80s metal. While not as complex as the solo, the speed and articulation demand intermediate to advanced technique.
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