Riff Tone
Liar's Love
Title Fight
Guitarpunk2010s+
Original Gear
GuitarFender Jazzmaster (likely MIJ/CIJ, as used by Jamie Rhoden in this era)
AmpOrange Rockerverb MKII 100-Watt Tube Guitar Amp Head
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain7
bass6
mid6.5
treble7
reverb2
presence6
Effects & Signal Chain
fuzzZVEX ZVEX Fuzz Factory
delayWay Huge Way Huge Electronics Aqua-Puss MkII Analog Delay
noise_gateBoss Boss NS-2 Noise Suppressor
Notes
Studio recording, 2015 (recorded for the album 'Hyperview'). Gear confirmed via pedalboard and amp photos from the era. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
fuzzy and saturatedarticulate chord definitionslightly compressed attackfull-bodied midrangetight low endpresent but not harsh trebledynamic response to pickingmoderate sustaingritty, textured overdrivepunchy and aggressive
Difficulty
The riff requires tight, syncopated playing with dynamic control over a saturated fuzz tone, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarpunk2010s+
Original Gear
GuitarFender Jazzmaster (likely MIJ/CIJ, as used by Jamie Rhoden in this era)
AmpOrange Rockerverb MKII 100-Watt Tube Guitar Amp Head
PickupsFender Jazzmaster single-coil pickups
Amp Settings
gain7
bass6
mid6.5
treble7
reverb2
presence6
Effects & Signal Chain
fuzzZVEX ZVEX Fuzz Factory
delayWay Huge Way Huge Electronics Aqua-Puss MkII Analog Delay
noise_gateBoss Boss NS-2 Noise Suppressor
Notes
Studio recording, 2015 (recorded for the album 'Hyperview'). Gear confirmed via pedalboard and amp photos from the era. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
fuzzy and saturatedarticulate chord definitionslightly compressed attackfull-bodied midrangetight low endpresent but not harsh trebledynamic response to pickingmoderate sustaingritty, textured overdrivepunchy and aggressive
Difficulty
The riff requires tight, syncopated playing with dynamic control over a saturated fuzz tone, but does not involve advanced lead techniques or complex chord voicings.
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