| Safe In Your Skin · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 6.5 |
| 27 · riff | Riff · distorted | Gibson Les Paul Firebrand | Marshall JCM800 2204 | 5 |
| Shed · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 5 |
| Head in the Ceiling Fan · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 5.5 |
| Where Am I? · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7 |
| Head in the Ceiling Fan · riff | Riff · clean | Gibson Les Paul Custom | Marshall JCM800 2204 | 0 |
| Like a Ritual · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7 |
| Stab · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 | 7.5 |
| Calloused · riff | Riff · distorted | Fender Telecaster (exact model unknown, likely American Standard or similar, as used by Jamie Rhoden on Floral Green) | Marshall JCM800 (studio recording, rhythm/riff section, as per forum consensus for Floral Green era) | 6.5 |
| Numb, But I Still Feel It · riff | Riff · distorted | Fender Jazzmaster (likely CIJ/MIJ, stock or Seymour Duncan pickups) | Fender Twin Reverb (Silverface or reissue, studio recording) | 7 |
| Trace Me Onto You · riff | Riff · distorted | Fender Bass VI (Pawn Shop model, likely used by Ned Russin on Hyperview era recordings) | Roland JC-120 Jazz Chorus | 5.5 |
| Crescent-Shaped Depression · riff | Riff · distorted | Fender Telecaster (likely American Standard or similar, as used by Jamie Rhoden on 'Shed' era recordings) | Marshall JCM800 (most commonly associated with Title Fight's 'Shed' era studio recordings) | 7.5 |
| Flood of '72 · riff | Riff · distorted | Fender Telecaster (exact model not specified, but consistent with Jamie Rhoden's known studio use for 'Shed' era) | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Head in the Ceiling Fan · solo | Solo · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 6 |
| In-Between · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7 |
| Leaf · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7 |
| Memorial Field · riff | Riff · distorted | Gibson Les Paul Custom Electric Guitar | Marshall JCM800 2204 | 7 |
| Mrahc · riff | Riff · distorted | Fender Bass VI (Pawn Shop, Jazzmaster bridge pickup, three-way switch) | Marshall JCM800 2203 | 7 |
| No One Stays At the Top Forever · riff | Riff · distorted | — | — | 7 |
| 27 · clean | Clean · clean | Fender Precision Bass | Orange AD200B Mk3 Bass Head | 0 |
| Be a Toy · riff | Riff · distorted | Fender Jazzmaster (likely CIJ/MIJ or American Vintage Reissue, as used by Jamie Rhoden and Shane Moran on Floral Green era) | Marshall JCM800 (studio recording, as referenced for rhythm/riff tones on Floral Green era) | 7.5 |
| Blush · riff | Riff · distorted | Fender Jazzmaster (likely MIJ or CIJ, as used by Jamie Rhoden on Floral Green era) | Marshall JCM800 2203 | 7 |
| Chlorine · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 5.5 |
| Crescent-Shaped Depression · riff | Riff · clean | Fender Jaguar (likely Classic Vibe or American Vintage, as seen in covers and era-appropriate for Title Fight) | Marshall JCM800 (Axe-FX III JCM800 simulation reported for covers, but original likely a real JCM800 or similar British-voiced amp) | 0 |
| Dizzy · riff | Riff · distorted | Fender Jazzmaster | Roland JC-120 Jazz Chorus | 5.5 |
| Frown · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7.5 |
| GMT (Greenwich Mean Time) · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT (likely vintage or reissue) | 6.5 |
| Goldwaite · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2203 | 7 |
| Hypernight · riff | Riff · distorted | Fender Jazzmaster (exact model not confirmed for studio, but highly likely based on band/album era and live use) | Marshall JCM800 (studio, based on user and community consensus for Hyperview era) | 5.5 |
| In-Between · solo | Solo · clean | Gibson Les Paul Standard (likely 2000s reissue, as used by Jamie Rhoden in studio era) | Marshall JCM800 2204 head into Orange PPC412 cabinet | 0 |
| Introvert · riff | Riff · distorted | Fender Telecaster (exact year/model unknown, but Telecasters are most commonly associated with Title Fight's Jamie Rhoden during the 'Floral Green' era) | Fender Twin Reverb (likely Silverface or reissue, based on era and genre conventions; no direct source for exact amp on this song/section) | 7 |
| Lefty · riff | Riff · distorted | Gibson Les Paul Goldtop | Marshall JCM800 | 6.5 |
| Liar's Love · riff | Riff · distorted | Fender Jazzmaster (likely MIJ/CIJ, as used by Jamie Rhoden in this era) | Orange Rockerverb MKII 100-Watt Tube Guitar Amp Head | 7 |
| Like a Ritual · solo | Solo · distorted | Gibson SG Standard Limited Edition | Orange Rockerverb MKII 100-Watt Tube Guitar Amp Head | 7 |
| Loud and Clear · solo | Solo · distorted | Gibson Les Paul Custom (white, likely 1970s-80s, as used by Jamie Rhoden in studio) | Marshall JCM800 head (studio recording, not live Orange/Mesa setup) | 7 |
| Loud and Clear · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2203 (100w head) into Orange or Marshall 4x12 with Celestion Vintage 30 speakers | 7 |
| Murder Your Memory · riff | Riff · distorted | Fender Jazzmaster (likely American or Japanese model, as used by Shane Moran on Hyperview) | Roland JC-120 Jazz Chorus | 5 |
| Numb, But I Still Feel It · solo | Solo · distorted | Gibson Les Paul Standard (likely 2000s/2010s era, as used by Jamie Rhoden on 'Floral Green') | Marshall JCM800 (studio recording, as commonly used by Title Fight on 'Floral Green') | 7 |
| Safe In Your Skin · riff | Riff · clean | Gibson Les Paul Custom | Vox AC30 (likely studio), Marshall JCM800 (used live, but not confirmed for this clean section in studio) | 0 |
| Secret Society · riff | Riff · distorted | Fender Jazzmaster (exact model unknown, but Jazzmaster confirmed for Shane Moran on 'Floral Green' era) | Marshall Super Lead 100-Watt Head | 7 |
| Shed · clean | Clean · clean | Fender Precision Bass | Sunn 1200S Amplifier Head | 0 |
| Shed · riff | Riff · clean | Fender Telecaster (likely American Standard, as used by Jamie Rhoden on 'Shed' era) | Vox AC15TB (1990s Korg Era) | 0 |
| Symmetry · riff | Riff · distorted | Fender Telecaster (likely 1970s or MIJ reissue, as used by Jamie Rhoden during this era) | Fender Hot Rod DeVille (studio, as per era and genre conventions; no direct source for exact amp on this song, but consistent with band and era) | 6.5 |
| Sympathy · riff | Riff · distorted | Gibson Les Paul Studio (likely, based on era and Jamie Rhoden's known gear for 'Floral Green') | Vox AC30 (likely, based on Jamie Rhoden's interviews and era-appropriate gear) | 6.5 |
| Trace Me Onto You · solo | Solo · distorted | Fender Telecaster (exact model not confirmed, but likely based on band/era and typical studio use) | Marshall JCM800 head into Orange 4x12 cabinet with Celestion Vintage 30 speakers | 6.5 |
| Western Haikus · riff | Riff · distorted | Gibson SG Standard Limited Edition | Marshall JCM800 2204 | 6.5 |
| Western Haikus · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT Classic | 6.5 |
| You Can't Say Kingston Doesn't Love You · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 7 |
| Your Pain Is Mine Now · riff | Riff · distorted | Fender Jazzmaster (likely American Vintage or Classic Player, as used by Jamie Rhoden during Hyperview sessions) | Roland JC-120 Jazz Chorus | 5.5 |
| Your Pain Is Mine Now · riff | Riff · clean | Fender Jazzmaster (likely American Vintage or Classic Player, as used on Hyperview sessions) | Fender Twin Reverb (Blackface, likely reissue or vintage, as used in studio for Hyperview) | 0 |
| Your Screen Door · riff | Riff · distorted | Gibson SG Standard Limited Edition | Vox AC15TB (1990s Korg Era) | 7 |
| Youreyeah · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 2204 | 5 |