Riff Tone
Symmetry
Title Fight
Guitarpunk2010s+
Original Gear
GuitarFender Telecaster (likely 1970s or MIJ reissue, as used by Jamie Rhoden during this era)
AmpFender Hot Rod DeVille (studio, as per era and genre conventions; no direct source for exact amp on this song, but consistent with band and era)
PickupsSingle-coil (Fender Telecaster stock pickups)
Amp Settings
gain6.5
bass5.5
mid6.5
treble7
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2011 (from 'Shed' album sessions). No direct evidence of alternate guitars or amps for this specific riff section. No evidence of alternate pickup types or humbuckers used.
Tone Character(10)
tight and punchyarticulate attackmoderate breakupmid-forwardpresent upper midstreble biteclear note separationdynamic responsepercussive rhythmslightly compressed
Difficulty
The riff requires tight, percussive rhythm playing with fast alternate picking and palm muting, but does not involve advanced techniques or complex chord voicings.
Sources
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Create Free AccountGuitarpunk2010s+
Original Gear
GuitarFender Telecaster (likely 1970s or MIJ reissue, as used by Jamie Rhoden during this era)
AmpFender Hot Rod DeVille (studio, as per era and genre conventions; no direct source for exact amp on this song, but consistent with band and era)
PickupsSingle-coil (Fender Telecaster stock pickups)
Amp Settings
gain6.5
bass5.5
mid6.5
treble7
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2011 (from 'Shed' album sessions). No direct evidence of alternate guitars or amps for this specific riff section. No evidence of alternate pickup types or humbuckers used.
Tone Character(10)
tight and punchyarticulate attackmoderate breakupmid-forwardpresent upper midstreble biteclear note separationdynamic responsepercussive rhythmslightly compressed
Difficulty
The riff requires tight, percussive rhythm playing with fast alternate picking and palm muting, but does not involve advanced techniques or complex chord voicings.
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