Solo Tone
Marooned
Pink Floyd
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (David Gilmour's Black Strat, likely with EMG DG20 pickups for Division Bell era)
AmpHiwatt Custom 100 DR103 head into WEM 4x12 cabinet with Fane Crescendo speakers
PickupsEMG DG20 active single-coils (SA set with EXG and SPC midboost circuits)
Amp Settings
gain3
bass6.5
mid7
treble6.5
reverb6.5
presence5.5
Effects & Signal Chain
otherDigiTech DigiTech Whammy WH-1
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown, likely rack-based or TC Electronic 2290/PCM70)
Notes
Studio recording, 1993-1994 Division Bell sessions. Clean tone section of 'Marooned' solo. No evidence of live rig or alternate guitars for this part.
Tone Character(10)
lush and ambientcrystal-clear sustainspacious and echoingshimmering modulationsmooth, glassy highswide stereo imageminimal breakupsinging, vocal-like phrasingdynamic and touch-sensitiveethereal, floating quality
Difficulty
The solo requires intermediate technique due to expressive Whammy pedal use, dynamic control, and precise phrasing with delay, but does not involve fast runs or advanced shredding.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (David Gilmour's Black Strat, likely with EMG DG20 pickups for Division Bell era)
AmpHiwatt Custom 100 DR103 head into WEM 4x12 cabinet with Fane Crescendo speakers
PickupsEMG DG20 active single-coils (SA set with EXG and SPC midboost circuits)
Amp Settings
gain3
bass6.5
mid7
treble6.5
reverb6.5
presence5.5
Effects & Signal Chain
otherDigiTech DigiTech Whammy WH-1
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown, likely rack-based or TC Electronic 2290/PCM70)
Notes
Studio recording, 1993-1994 Division Bell sessions. Clean tone section of 'Marooned' solo. No evidence of live rig or alternate guitars for this part.
Tone Character(10)
lush and ambientcrystal-clear sustainspacious and echoingshimmering modulationsmooth, glassy highswide stereo imageminimal breakupsinging, vocal-like phrasingdynamic and touch-sensitiveethereal, floating quality
Difficulty
The solo requires intermediate technique due to expressive Whammy pedal use, dynamic control, and precise phrasing with delay, but does not involve fast runs or advanced shredding.
Marooned settings for your amp
Exact settings ToneAdapt players use on these amps.
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