Solo Tone
Marooned
Pink Floyd
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1983 '57 reissue, red, with EMG DG20 active pickups)
AmpHiwatt DR103 Custom 100 Head into WEM 4x12 cab with Fane Crescendo speakers
PickupsEMG DG20 active single coils
Amp Settings
gain4.5
bass6.5
mid7
treble6.5
reverb6.5
presence6
Effects & Signal Chain
modulationDigiTech DigiTech Whammy WH-1
delayUnknown Delay pedal (model unknown, likely rack or studio unit)
otherErnie Ball Ernie Ball 6166 Volume Pedal (modded 10K pot)
Notes
Studio recording, 1993 Division Bell sessions. Gear confirmed for this era and song by Equipboard and MusicRadar. Effects chain included DigiTech Whammy WH-1 and likely delay and reverb. Pickup and amp model inferred from era and studio documentation.
Tone Character(10)
singing sustainambient and spacioussmooth, violin-like legatorich upper midsclear articulationlush delay repeatsexpressive pitch bendsdynamic swellsharmonized pitch-shifted lineswarm, not harsh
Difficulty
The solo requires intermediate to advanced control of expressive techniques (volume swells, bends), use of the Whammy pedal for harmonized lines, and careful timing with delay, but does not involve fast runs or extreme technical difficulty.
Sources
This tone has been researched 3 times by the community
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1983 '57 reissue, red, with EMG DG20 active pickups)
AmpHiwatt DR103 Custom 100 Head into WEM 4x12 cab with Fane Crescendo speakers
PickupsEMG DG20 active single coils
Amp Settings
gain4.5
bass6.5
mid7
treble6.5
reverb6.5
presence6
Effects & Signal Chain
modulationDigiTech DigiTech Whammy WH-1
delayUnknown Delay pedal (model unknown, likely rack or studio unit)
otherErnie Ball Ernie Ball 6166 Volume Pedal (modded 10K pot)
This tone has been researched 3 times by the community
Notes
Studio recording, 1993 Division Bell sessions. Gear confirmed for this era and song by Equipboard and MusicRadar. Effects chain included DigiTech Whammy WH-1 and likely delay and reverb. Pickup and amp model inferred from era and studio documentation.
Tone Character(10)
singing sustainambient and spacioussmooth, violin-like legatorich upper midsclear articulationlush delay repeatsexpressive pitch bendsdynamic swellsharmonized pitch-shifted lineswarm, not harsh
Difficulty
The solo requires intermediate to advanced control of expressive techniques (volume swells, bends), use of the Whammy pedal for harmonized lines, and careful timing with delay, but does not involve fast runs or extreme technical difficulty.
Marooned settings for your amp
Exact settings ToneAdapt players use on these amps.
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