Riff Tone
Muzzle (Remastered 2012)
The Smashing Pumpkins
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s, used by Billy Corgan on Mellon Collie sessions)
AmpMarshall JCM800 2203 (100W head, used in studio for Mellon Collie era, likely through Marshall 4x12 cab)
PickupsDiMarzio Super Distortion (bridge position, humbucker-sized for Strat)
Amp Settings
gain8
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Op-Amp Big Muff
Notes
Studio recording, 1995-1996 (Mellon Collie & the Infinite Sadness sessions). Billy Corgan is known to have used a Stratocaster with a DiMarzio Super Distortion in the bridge and a JCM800 for the heavy rhythm tracks. The Op-Amp Big Muff was a key part of the riff tone. Layered guitars are a hallmark of this section.
Tone Character(10)
massive, saturated fuzz walltight, compressed rhythm attacksinging sustainlayered, thick guitar soundaggressive, mid-forward crunchpercussive palm mutingarticulate note separation despite heavy gainbuzzsaw fuzz textureBritish-voiced amp characterstudio multi-tracked guitars
Difficulty
The riff is moderately challenging due to its tight, palm-muted rhythm, the need for precise timing to match layered parts, and the challenge of keeping articulation with a saturated fuzz tone.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s, used by Billy Corgan on Mellon Collie sessions)
AmpMarshall JCM800 2203 (100W head, used in studio for Mellon Collie era, likely through Marshall 4x12 cab)
PickupsDiMarzio Super Distortion (bridge position, humbucker-sized for Strat)
Amp Settings
gain8
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Op-Amp Big Muff
Notes
Studio recording, 1995-1996 (Mellon Collie & the Infinite Sadness sessions). Billy Corgan is known to have used a Stratocaster with a DiMarzio Super Distortion in the bridge and a JCM800 for the heavy rhythm tracks. The Op-Amp Big Muff was a key part of the riff tone. Layered guitars are a hallmark of this section.
Tone Character(10)
massive, saturated fuzz walltight, compressed rhythm attacksinging sustainlayered, thick guitar soundaggressive, mid-forward crunchpercussive palm mutingarticulate note separation despite heavy gainbuzzsaw fuzz textureBritish-voiced amp characterstudio multi-tracked guitars
Difficulty
The riff is moderately challenging due to its tight, palm-muted rhythm, the need for precise timing to match layered parts, and the challenge of keeping articulation with a saturated fuzz tone.
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