Riff Tone
My Kind of Woman lead part
Mac DeMarco
Guitarrock2010s+
Original Gear
Guitar1970s Fender Stratocaster (heavily modified, single coil in neck position, direct to jack wiring)
AmpFender Vibro Champ (silverface, early 1970s, studio recording)
PickupsSingle coil (likely original Fender, neck position, direct-wired)
Amp Settings
gain2.5
bass6
mid6
treble6.5
reverb5
presence5
Effects & Signal Chain
chorusBoss Boss Chorus (likely CE-2 or CE-3)
reverbAlesis Alesis Microverb 4
Notes
Studio recording for '2' (2012); guitar is Mac's iconic beat-up Strat with only the neck pickup wired directly to the output jack. Vibro Champ amp confirmed for studio use. No evidence of live/tour gear for this section.
Tone Character(10)
warm and mellowsparkly high endlush chorus modulationslightly lo-fi texturedreamy and washysoft attackrounded, not harshclean with subtle shimmervintage Fender amp characterneck pickup fullness
Difficulty
The riff is rhythmically syncopated and requires clean, controlled playing to maintain clarity with the chorus effect. No advanced techniques, but subtlety and timing are important.
Sources
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Original Gear
Guitar1970s Fender Stratocaster (heavily modified, single coil in neck position, direct to jack wiring)
AmpFender Vibro Champ (silverface, early 1970s, studio recording)
PickupsSingle coil (likely original Fender, neck position, direct-wired)
Amp Settings
gain2.5
bass6
mid6
treble6.5
reverb5
presence5
Effects & Signal Chain
chorusBoss Boss Chorus (likely CE-2 or CE-3)
reverbAlesis Alesis Microverb 4
Notes
Studio recording for '2' (2012); guitar is Mac's iconic beat-up Strat with only the neck pickup wired directly to the output jack. Vibro Champ amp confirmed for studio use. No evidence of live/tour gear for this section.
Tone Character(10)
warm and mellowsparkly high endlush chorus modulationslightly lo-fi texturedreamy and washysoft attackrounded, not harshclean with subtle shimmervintage Fender amp characterneck pickup fullness
Difficulty
The riff is rhythmically syncopated and requires clean, controlled playing to maintain clarity with the chorus effect. No advanced techniques, but subtlety and timing are important.
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