Solo Tone
Pride and Joy (Live 1984)
Stevie Ray Vaughan & Double Trouble
Guitarblues1980s
Original Gear
Guitar1963 Fender Stratocaster ('Number One')
Amp1964 Fender Vibroverb (Blackface, 1x15” speaker, often paired with a second Vibroverb live)
PickupsFender single-coil pickups (vintage 1960s spec)
Amp Settings
gain5.5
bass6.5
mid6.5
treble5.5
reverb3
presence5
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer
Notes
Live performance, 1984. Used for 'Pride and Joy' solo section. Amp settings and pedal use based on live rig evidence and tone guides for this era. No studio-only effects (e.g., Dimension D) included.
Tone Character(10)
Texas blues crunchTouch-sensitive and dynamicWarm and glassy highsPunchy, forward midsTight, percussive low endSinging sustainAggressive pick attackMinimal reverb for dry soundSlight vibrato movementEdge-of-breakup overdrive
Difficulty
The solo requires advanced blues phrasing, fast shuffle picking, aggressive bends, and dynamic control, making it challenging for most players.
Sources
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Original Gear
Guitar1963 Fender Stratocaster ('Number One')
Amp1964 Fender Vibroverb (Blackface, 1x15” speaker, often paired with a second Vibroverb live)
PickupsFender single-coil pickups (vintage 1960s spec)
Amp Settings
gain5.5
bass6.5
mid6.5
treble5.5
reverb3
presence5
Effects & Signal Chain
overdriveIbanez Ibanez TS808 Tube Screamer
Notes
Live performance, 1984. Used for 'Pride and Joy' solo section. Amp settings and pedal use based on live rig evidence and tone guides for this era. No studio-only effects (e.g., Dimension D) included.
Tone Character(10)
Texas blues crunchTouch-sensitive and dynamicWarm and glassy highsPunchy, forward midsTight, percussive low endSinging sustainAggressive pick attackMinimal reverb for dry soundSlight vibrato movementEdge-of-breakup overdrive
Difficulty
The solo requires advanced blues phrasing, fast shuffle picking, aggressive bends, and dynamic control, making it challenging for most players.
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