Solo Tone
Reckoning Day
Megadeth
Guitarmetal1990s
Original Gear
GuitarJackson Kelly KE1 (Marty Friedman signature, likely used for solos on Youthanasia)
AmpCustom Audio Electronics (CAE) 3+ SE Preamp into VHT 2150 Power Amp (studio recording, Youthanasia era)
PickupsSeymour Duncan TB-4 JB (bridge humbucker, stock on KE1)
Amp Settings
gain7
bass5.5
mid4
treble7
reverb1
presence6
Effects & Signal Chain
eqMXR MXR M109S Six Band Graphic EQ
overdriveIbanez Ibanez TS9 Tube Screamer
chorusBoss Boss CH-1 Super Chorus
Notes
Studio recording for 'Reckoning Day' solo, 1994. Both Mustaine and Friedman used CAE 3+ SE preamps and VHT 2150 power amps for Youthanasia. Friedman is credited for most solos. No evidence of Marshall or Engl on this album's studio tracks. No evidence of Axe-Fx or Quad Cortex for this era.
Tone Character(10)
tight and percussivesinging sustainarticulate and harmonically richhigh-gain saturation with clarityaggressive palm mutingprecise note separationslightly scooped midscrisp attackfast alternate pickingmetallic edge
Difficulty
The solo features fast alternate picking, complex melodic phrasing, and technical articulation typical of Marty Friedman's style, requiring advanced picking accuracy and fretboard knowledge.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarJackson Kelly KE1 (Marty Friedman signature, likely used for solos on Youthanasia)
AmpCustom Audio Electronics (CAE) 3+ SE Preamp into VHT 2150 Power Amp (studio recording, Youthanasia era)
PickupsSeymour Duncan TB-4 JB (bridge humbucker, stock on KE1)
Amp Settings
gain7
bass5.5
mid4
treble7
reverb1
presence6
Effects & Signal Chain
eqMXR MXR M109S Six Band Graphic EQ
overdriveIbanez Ibanez TS9 Tube Screamer
chorusBoss Boss CH-1 Super Chorus
Notes
Studio recording for 'Reckoning Day' solo, 1994. Both Mustaine and Friedman used CAE 3+ SE preamps and VHT 2150 power amps for Youthanasia. Friedman is credited for most solos. No evidence of Marshall or Engl on this album's studio tracks. No evidence of Axe-Fx or Quad Cortex for this era.
Tone Character(10)
tight and percussivesinging sustainarticulate and harmonically richhigh-gain saturation with clarityaggressive palm mutingprecise note separationslightly scooped midscrisp attackfast alternate pickingmetallic edge
Difficulty
The solo features fast alternate picking, complex melodic phrasing, and technical articulation typical of Marty Friedman's style, requiring advanced picking accuracy and fretboard knowledge.
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