Solo Tone
Sad But True
Metallica
Guitarmetal1990s
Original Gear
GuitarESP MX-220 (black finish)
AmpMesa/Boogie Mark IIC++
PickupsEMG 81 (bridge), EMG 60 (neck), bridge pickup used
Amp Settings
gain8.5
bass4
mid1.5
treble6
reverb0
presence4.5
Effects & Signal Chain
eqAphex Aphex EQF-2 Parametric EQ
compressionAphex Aphex CX-1 Compressor/Expander
Notes
Studio recording, 1991, The Black Album sessions. Multiple amps layered, but Mark IIC++ is the core for the solo. Effects loop used for EQ and compression. D standard tuning.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationthick, layered soundarticulate attacksinging sustain in solodry, in-your-face presencecrushing low endslightly compressed
Difficulty
The solo requires intermediate technique, with expressive bends, vibrato, and precise picking at a slow tempo. The high-gain setting demands control to avoid unwanted noise.
Sources
This tone has been researched 3 times by the community
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarESP MX-220 (black finish)
AmpMesa/Boogie Mark IIC++
PickupsEMG 81 (bridge), EMG 60 (neck), bridge pickup used
Amp Settings
gain8.5
bass4
mid1.5
treble6
reverb0
presence4.5
Effects & Signal Chain
eqAphex Aphex EQF-2 Parametric EQ
compressionAphex Aphex CX-1 Compressor/Expander
This tone has been researched 3 times by the community
Notes
Studio recording, 1991, The Black Album sessions. Multiple amps layered, but Mark IIC++ is the core for the solo. Effects loop used for EQ and compression. D standard tuning.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationthick, layered soundarticulate attacksinging sustain in solodry, in-your-face presencecrushing low endslightly compressed
Difficulty
The solo requires intermediate technique, with expressive bends, vibrato, and precise picking at a slow tempo. The high-gain setting demands control to avoid unwanted noise.
Sad But True settings for your amp
Exact settings ToneAdapt players use on these amps.
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