Riff Tone
Sing for Absolution
Muse
Guitarrock2000s
Original Gear
GuitarGibson SG Standard (red, stock pickups)
AmpDiezel VH4
PickupsGibson humbuckers (stock, likely 490R/498T set)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb4.5
presence6
Effects & Signal Chain
fuzzfOXX fOXX Fuzz Wah Volume
wahfOXX fOXX Fuzz Wah Volume
delayUnknown Delay pedal (model unknown)
phaserUnknown Phaser pedal (model unknown)
Notes
Studio recording, 2003 Absolution album. Matt Bellamy used a red Gibson SG Standard for 'Sing for Absolution' in standard tuning. The Diezel VH4 was his primary amp for Absolution studio sessions. Effects chain includes fuzz and wah, with evidence of delay and reverb. No evidence of Manson guitar for this specific track's riff section.
Tone Character(10)
fuzzy and saturated rhythmambient and lush reverbmodulated, spacey texturemedium gain with claritypronounced attack and sustainslightly scooped midsclear note separationtouch of analog delaynot overly compresseddynamic pick response
Difficulty
The riff requires tight timing with delay, dynamic picking for clarity through fuzz, and careful control of modulation effects to maintain note separation and ambience.
Sources
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Original Gear
GuitarGibson SG Standard (red, stock pickups)
AmpDiezel VH4
PickupsGibson humbuckers (stock, likely 490R/498T set)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb4.5
presence6
Effects & Signal Chain
fuzzfOXX fOXX Fuzz Wah Volume
wahfOXX fOXX Fuzz Wah Volume
delayUnknown Delay pedal (model unknown)
phaserUnknown Phaser pedal (model unknown)
Notes
Studio recording, 2003 Absolution album. Matt Bellamy used a red Gibson SG Standard for 'Sing for Absolution' in standard tuning. The Diezel VH4 was his primary amp for Absolution studio sessions. Effects chain includes fuzz and wah, with evidence of delay and reverb. No evidence of Manson guitar for this specific track's riff section.
Tone Character(10)
fuzzy and saturated rhythmambient and lush reverbmodulated, spacey texturemedium gain with claritypronounced attack and sustainslightly scooped midsclear note separationtouch of analog delaynot overly compresseddynamic pick response
Difficulty
The riff requires tight timing with delay, dynamic picking for clarity through fuzz, and careful control of modulation effects to maintain note separation and ambience.
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