Distorted Tone
Stay Clean (Live at Hammersmith)
Motörhead
Bassmetal1980s
Original Gear
BassRickenbacker 4001
AmpMarshall Super Bass (1976 'Murder One')
PickupsDual single-coil (neck and bridge)
Amp Settings
gain9
bass4.5
mid8
treble8.5
presence7.5
compression2
Effects & Signal Chain
No effects used for this tone
Notes
Live at Hammersmith, 1981; classic Lemmy live rig with Marshall Super Bass head and Marshall 4x12/4x15 cabs
Tone Character(10)
biting midrangeaggressive pick attackclanky top endgritty and powerfulgrowly midrangeraspy upper midspercussivenot 'fuzzed out' but clearly overdrivendistinct string noisecuts through loud guitars
Difficulty
The song requires fast, consistent alternate picking with a pick, aggressive attack, and precise muting to control noise at high gain. The solo section and fills add technical challenge beyond basic rock bass lines.
Sources
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Create Free AccountBassmetal1980s
Original Gear
BassRickenbacker 4001
AmpMarshall Super Bass (1976 'Murder One')
PickupsDual single-coil (neck and bridge)
Amp Settings
gain9
bass4.5
mid8
treble8.5
presence7.5
compression2
Effects & Signal Chain
No effects used for this tone
Notes
Live at Hammersmith, 1981; classic Lemmy live rig with Marshall Super Bass head and Marshall 4x12/4x15 cabs
Tone Character(10)
biting midrangeaggressive pick attackclanky top endgritty and powerfulgrowly midrangeraspy upper midspercussivenot 'fuzzed out' but clearly overdrivendistinct string noisecuts through loud guitars
Difficulty
The song requires fast, consistent alternate picking with a pick, aggressive attack, and precise muting to control noise at high gain. The solo section and fills add technical challenge beyond basic rock bass lines.
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