Solo Tone
Supremacy
Muse
Guitarrock2010s+
Original Gear
GuitarManson MB-1
AmpMarshall 1959HW Plexi Head
PickupsSeymour Duncan Hot Rails (bridge), Sustainiac (neck)
Amp Settings
gain8
bass5.5
mid6.5
treble7
reverb2
presence6.5
Effects & Signal Chain
distortionTech 21 Tech 21 SansAmp GT2
modulationBoss Boss OC-2 Octaver
delayUnknown Delay pedal (model unknown, likely rack or stereo pedal)
Notes
Studio recording, 2012 (The 2nd Law). Solo section uses heavy fuzz/distortion. Tech 21 SansAmp GT2 used for additional amp simulation/distortion in stereo. Dickinson 2x12 Mk2 amp also present in rig but not confirmed for solo. Guitar is Manson MB-1 with Hot Rails bridge pickup, as used by Bellamy on this era's recordings.
Tone Character(10)
screaming lead tonesinging sustaincompressed and saturatedtight and percussive attackmodern alternative rock solorich harmonic overtoneswide stereo imageslightly scooped midsaggressive fuzz texturechorus-like modulation
Difficulty
The solo requires advanced control of bends, fast picking, and precise use of effects for sustain and stereo width, making it challenging for most intermediate players.
Sources
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Original Gear
GuitarManson MB-1
AmpMarshall 1959HW Plexi Head
PickupsSeymour Duncan Hot Rails (bridge), Sustainiac (neck)
Amp Settings
gain8
bass5.5
mid6.5
treble7
reverb2
presence6.5
Effects & Signal Chain
distortionTech 21 Tech 21 SansAmp GT2
modulationBoss Boss OC-2 Octaver
delayUnknown Delay pedal (model unknown, likely rack or stereo pedal)
Notes
Studio recording, 2012 (The 2nd Law). Solo section uses heavy fuzz/distortion. Tech 21 SansAmp GT2 used for additional amp simulation/distortion in stereo. Dickinson 2x12 Mk2 amp also present in rig but not confirmed for solo. Guitar is Manson MB-1 with Hot Rails bridge pickup, as used by Bellamy on this era's recordings.
Tone Character(10)
screaming lead tonesinging sustaincompressed and saturatedtight and percussive attackmodern alternative rock solorich harmonic overtoneswide stereo imageslightly scooped midsaggressive fuzz texturechorus-like modulation
Difficulty
The solo requires advanced control of bends, fast picking, and precise use of effects for sustain and stereo width, making it challenging for most intermediate players.
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