Riff Tone
Symphony Of Destruction (1992 Mix Remaster)
Megadeth
Guitarmetal1990s
Original Gear
GuitarJackson King V (likely custom, 1992 era)
AmpMarshall 1959SLP Super Lead (modded) into VHT 2150 power amp, Bogner Fish preamp, Marshall 4x12 cabinets with Celestion speakers
PickupsSeymour Duncan JB (SH-4) humbucker in bridge position
Amp Settings
gain7
bass5
mid5.5
treble6.5
reverb0
presence6
Effects & Signal Chain
boostUnknown Overdrive pedal (model unknown, likely used as clean boost)
Notes
Studio recording, 1992. Mustaine used a Bogner Fish preamp into a VHT 2150 power amp and Marshall cabs for the album. The Jackson King V with Seymour Duncan JB bridge pickup was his main rhythm guitar for this era. No evidence of live/touring gear or later signature models being used on the original recording.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationscooped but present midsarticulate pick attackchunky low endrazor-sharp clarityfocused, dry rhythm soundminimal ambiencecrisp note separation
Difficulty
The riff requires tight, aggressive palm muting and precise alternate picking at a moderate tempo. While not technically advanced, maintaining the percussive, articulate rhythm and consistent timing is challenging for intermediate players.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarJackson King V (likely custom, 1992 era)
AmpMarshall 1959SLP Super Lead (modded) into VHT 2150 power amp, Bogner Fish preamp, Marshall 4x12 cabinets with Celestion speakers
PickupsSeymour Duncan JB (SH-4) humbucker in bridge position
Amp Settings
gain7
bass5
mid5.5
treble6.5
reverb0
presence6
Effects & Signal Chain
boostUnknown Overdrive pedal (model unknown, likely used as clean boost)
Notes
Studio recording, 1992. Mustaine used a Bogner Fish preamp into a VHT 2150 power amp and Marshall cabs for the album. The Jackson King V with Seymour Duncan JB bridge pickup was his main rhythm guitar for this era. No evidence of live/touring gear or later signature models being used on the original recording.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationscooped but present midsarticulate pick attackchunky low endrazor-sharp clarityfocused, dry rhythm soundminimal ambiencecrisp note separation
Difficulty
The riff requires tight, aggressive palm muting and precise alternate picking at a moderate tempo. While not technically advanced, maintaining the percussive, articulate rhythm and consistent timing is challenging for intermediate players.
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