Riff Tone
The End of the Line
Metallica
Guitarmetal2000s
Original Gear
GuitarESP MX-220 (James Hetfield's main guitar for Death Magnetic era)
AmpMesa/Boogie Mark IIC+ (primary rhythm amp for Death Magnetic studio recording)
PickupsEMG 81 (bridge), EMG 60 (neck) active humbuckers
Amp Settings
gain9
bass6.5
mid3
treble7.5
reverb1
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
Notes
Studio recording, 2008. James Hetfield's rhythm tone for 'The End of the Line' riff section. No evidence of live rig or alternate guitars/amps for this specific recording.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationarticulate attackchunky low endcrisp top endmodern metal claritycompressed and focusedfast, precise rhythm
Difficulty
The riff requires fast, precise alternate picking and tight palm muting at high speed, demanding advanced right-hand stamina and accuracy typical of Metallica's modern rhythm work.
Sources
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarESP MX-220 (James Hetfield's main guitar for Death Magnetic era)
AmpMesa/Boogie Mark IIC+ (primary rhythm amp for Death Magnetic studio recording)
PickupsEMG 81 (bridge), EMG 60 (neck) active humbuckers
Amp Settings
gain9
bass6.5
mid3
treble7.5
reverb1
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
Notes
Studio recording, 2008. James Hetfield's rhythm tone for 'The End of the Line' riff section. No evidence of live rig or alternate guitars/amps for this specific recording.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationarticulate attackchunky low endcrisp top endmodern metal claritycompressed and focusedfast, precise rhythm
Difficulty
The riff requires fast, precise alternate picking and tight palm muting at high speed, demanding advanced right-hand stamina and accuracy typical of Metallica's modern rhythm work.
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