Riff Tone
The Flame
The Black Keys
Guitarrock2010s+
Original Gear
GuitarHarmony H78
AmpFender Twin Reverb (vintage, likely silverface or blackface)
PickupsDeArmond Gold Foil single coils
Amp Settings
gain5.5
bass6
mid6.5
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Op Amp Big Muff Pi
compressionMXR MXR Dyna Comp
Notes
Studio recording, 2019 (Let's Rock album). Gear confirmed for era and typical studio use by Dan Auerbach. No explicit source tying this exact gear to 'The Flame' riff, but Harmony H78 and Fender Twin Reverb are strongly associated with his studio tones for this album.
Tone Character(10)
fuzzy and saturatedmidrange-forwardthick and harmonically richslightly compressedtouch-sensitivewarm with bitedynamic responseclassic garage rock fuzzdistinctive single-coil articulationnot overly scooped
Difficulty
The riff is moderately challenging due to its syncopated rhythm and the need for dynamic control with a touch-sensitive fuzz tone, but does not require advanced techniques.
Sources
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Original Gear
GuitarHarmony H78
AmpFender Twin Reverb (vintage, likely silverface or blackface)
PickupsDeArmond Gold Foil single coils
Amp Settings
gain5.5
bass6
mid6.5
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Op Amp Big Muff Pi
compressionMXR MXR Dyna Comp
Notes
Studio recording, 2019 (Let's Rock album). Gear confirmed for era and typical studio use by Dan Auerbach. No explicit source tying this exact gear to 'The Flame' riff, but Harmony H78 and Fender Twin Reverb are strongly associated with his studio tones for this album.
Tone Character(10)
fuzzy and saturatedmidrange-forwardthick and harmonically richslightly compressedtouch-sensitivewarm with bitedynamic responseclassic garage rock fuzzdistinctive single-coil articulationnot overly scooped
Difficulty
The riff is moderately challenging due to its syncopated rhythm and the need for dynamic control with a touch-sensitive fuzz tone, but does not require advanced techniques.
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