Riff Tone
Till Things Get Right (Live At The Ryman)
The Red Clay Strays
Guitarcountry2010s+
Original Gear
GuitarGibson ES-339
AmpFender Twin Reverb (Black Panel, 1963-1967)
PickupsGibson PAF-style humbuckers
Amp Settings
gain4
bass5.5
mid6.5
treble7
reverb3.5
presence5.5
Effects & Signal Chain
overdriveJHS JHS Morning Glory
boostXotic Xotic EP Booster
reverbStrymon Strymon Flint
Notes
Live performance at the Ryman, December 2025. Gear confirmed via Premier Guitar Rig Rundown and Equipboard. Drew Nix uses the ES-339 and Twin Reverb for the main riff section. Pedalboard and amp are as used on stage, not in studio.
Tone Character(10)
rich and grittyedge-of-breakup cleanbright and articulate highswarm midrangetight, responsive low enddynamic and touch-sensitiveslightly compressedfull-bodiedpresent attackslight overdrive texture
Difficulty
The riff requires moderately precise rhythm work and dynamic control to maintain clarity and touch sensitivity, but does not involve advanced techniques or fast passages.
Sources
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Create Free AccountGuitarcountry2010s+
Original Gear
GuitarGibson ES-339
AmpFender Twin Reverb (Black Panel, 1963-1967)
PickupsGibson PAF-style humbuckers
Amp Settings
gain4
bass5.5
mid6.5
treble7
reverb3.5
presence5.5
Effects & Signal Chain
overdriveJHS JHS Morning Glory
boostXotic Xotic EP Booster
reverbStrymon Strymon Flint
Notes
Live performance at the Ryman, December 2025. Gear confirmed via Premier Guitar Rig Rundown and Equipboard. Drew Nix uses the ES-339 and Twin Reverb for the main riff section. Pedalboard and amp are as used on stage, not in studio.
Tone Character(10)
rich and grittyedge-of-breakup cleanbright and articulate highswarm midrangetight, responsive low enddynamic and touch-sensitiveslightly compressedfull-bodiedpresent attackslight overdrive texture
Difficulty
The riff requires moderately precise rhythm work and dynamic control to maintain clarity and touch sensitivity, but does not involve advanced techniques or fast passages.
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