Riff Tone
Tuesday's Gone
Metallica
Guitarrock1990s
Original Gear
GuitarESP MX220 (James Hetfield's main guitar for Garage Inc. sessions)
AmpMesa/Boogie Mark IIC+ (studio recording, Garage Inc. era)
PickupsEMG 81 (bridge), EMG 60 (neck) active humbuckers
Amp Settings
gain0
bass6
mid5
treble6.5
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1997-1998 Garage Inc. sessions. Clean tone for riff/verse section. No direct evidence of pedal use for clean section; Metallica typically used amp clean channel for clean tones in this era.
Tone Character(10)
clean and glassywarm and smoothslightly compressedarticulate picking responselush reverb tailfull-bodied chordsclear note separationstudio-quality cleansubtle amp reverbno audible overdrive
Difficulty
The riff requires clean chord changes and dynamic control to maintain clarity and warmth, but does not involve advanced techniques or fast playing.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarESP MX220 (James Hetfield's main guitar for Garage Inc. sessions)
AmpMesa/Boogie Mark IIC+ (studio recording, Garage Inc. era)
PickupsEMG 81 (bridge), EMG 60 (neck) active humbuckers
Amp Settings
gain0
bass6
mid5
treble6.5
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1997-1998 Garage Inc. sessions. Clean tone for riff/verse section. No direct evidence of pedal use for clean section; Metallica typically used amp clean channel for clean tones in this era.
Tone Character(10)
clean and glassywarm and smoothslightly compressedarticulate picking responselush reverb tailfull-bodied chordsclear note separationstudio-quality cleansubtle amp reverbno audible overdrive
Difficulty
The riff requires clean chord changes and dynamic control to maintain clarity and warmth, but does not involve advanced techniques or fast playing.
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