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Solo Tone

Undermind

Phish

Guitarrock2000s

Original Gear

GuitarLanguedoc G2
AmpMesa/Boogie Mark III (likely blue stripe, studio recording era)
PickupsSeymour Duncan SH-1 '59 humbuckers

Amp Settings

gain4.5
bass6
mid7
treble6.5
reverb3.5
presence5.5

Effects & Signal Chain

compressionRoss Ross Compressor
overdriveIbanez Ibanez TS9 Tube Screamer
delayUnknown Delay pedal (model unknown)

Notes

Studio recording, 2004. Trey Anastasio's signature Languedoc G2 with dual humbuckers was his primary studio guitar for the 'Undermind' album. Mesa/Boogie Mark III was his main amp in this era. No direct evidence of alternate guitars or amps for this solo section.

Tone Character(10)
lush and layeredsinging sustainwarm and smoothclear note separationvocal-like phrasingdynamic and touch-sensitivestudio clarityslightly compressedarticulate lead tonenot overly saturated

Difficulty

The solo requires intermediate technique, with focus on expressive bends, dynamic picking, and timing to match delay repeats, but does not involve extreme speed or advanced technical passages.

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