Riff Tone
Wait
White Lion
Guitarrock1980s
Original Gear
GuitarFender Stratocaster (heavily worn, likely late 1970s or early 1980s, used for recording 'Pride' album including 'Wait')
AmpMarshall 100-watt Super Lead (vintage, likely JMP or JCM800 era, used in studio for 'Pride')
PickupsSingle-coil pickups (original Strat pickups, likely stock or period-correct replacements)
Amp Settings
gain6.5
bass6
mid6
treble7
reverb2.5
presence6.5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer
Notes
Studio recording, 1987 (Pride album). Vito Bratta used his worn Stratocaster with a Tube Screamer into a Marshall Super Lead for the main riff. Not live gear. No evidence of Steinberger or other guitars for this section. ADA MP-1 and BOSS GT-5 were used later or for other songs/solos, not confirmed for this riff.
Tone Character(10)
bright and articulatetight and percussivemoderate sustainclear note separationBritish crunchslightly compressedpunchy attackmelodic claritynot overly saturateddistinct single-coil presence
Difficulty
The riff requires tight, articulate picking with palm muting and rhythmic precision, making it moderately challenging for intermediate players.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarFender Stratocaster (heavily worn, likely late 1970s or early 1980s, used for recording 'Pride' album including 'Wait')
AmpMarshall 100-watt Super Lead (vintage, likely JMP or JCM800 era, used in studio for 'Pride')
PickupsSingle-coil pickups (original Strat pickups, likely stock or period-correct replacements)
Amp Settings
gain6.5
bass6
mid6
treble7
reverb2.5
presence6.5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer
Notes
Studio recording, 1987 (Pride album). Vito Bratta used his worn Stratocaster with a Tube Screamer into a Marshall Super Lead for the main riff. Not live gear. No evidence of Steinberger or other guitars for this section. ADA MP-1 and BOSS GT-5 were used later or for other songs/solos, not confirmed for this riff.
Tone Character(10)
bright and articulatetight and percussivemoderate sustainclear note separationBritish crunchslightly compressedpunchy attackmelodic claritynot overly saturateddistinct single-coil presence
Difficulty
The riff requires tight, articulate picking with palm muting and rhythmic precision, making it moderately challenging for intermediate players.
More White Lion tones
- Tell Me · riff
- Till Death Do Us Part · solo
- Till Death Do Us Part · riff
- Wait · solo
- Wait · riff
- When the Children Cry · solo