Solo Tone
When the Children Cry
White Lion
Guitarrock1980s
Original Gear
GuitarWhite Lion Custom ESP Strat-style (Vito Bratta signature, HSS configuration, Floyd Rose)
AmpMarshall JCM800 2203 Head into Marshall 4x12 cabinet (studio recording, 1987-88)
PickupsSeymour Duncan JB (bridge humbucker), stock single coils (middle/neck)
Amp Settings
gain5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown, likely rack delay such as Lexicon PCM-41 or Roland SDE-3000)
chorusUnknown Chorus pedal (model unknown, likely rack chorus such as Roland Dimension D or Boss CE-1)
Notes
Studio recording for 'Pride' album (1987-88); all gear and settings refer to the original studio solo, not live or covers. No evidence of additional preamp or distortion pedals in the studio chain; overdrive/distortion from amp. Effects are rack-based or studio post-processing.
Tone Character(10)
singing sustainsmooth legato phrasingcrystal-clear note separationslightly compressed attackwarm, vocal-like lead tonetouch-sensitive dynamicsnot overly saturateddelicate delay repeatssubtle stereo spreadarticulate high end
Difficulty
The solo requires advanced legato and tapping technique, precise string skipping, and expressive vibrato, making it challenging for intermediate players but not at the extreme shredder level.
Sources
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Original Gear
GuitarWhite Lion Custom ESP Strat-style (Vito Bratta signature, HSS configuration, Floyd Rose)
AmpMarshall JCM800 2203 Head into Marshall 4x12 cabinet (studio recording, 1987-88)
PickupsSeymour Duncan JB (bridge humbucker), stock single coils (middle/neck)
Amp Settings
gain5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown, likely rack delay such as Lexicon PCM-41 or Roland SDE-3000)
chorusUnknown Chorus pedal (model unknown, likely rack chorus such as Roland Dimension D or Boss CE-1)
Notes
Studio recording for 'Pride' album (1987-88); all gear and settings refer to the original studio solo, not live or covers. No evidence of additional preamp or distortion pedals in the studio chain; overdrive/distortion from amp. Effects are rack-based or studio post-processing.
Tone Character(10)
singing sustainsmooth legato phrasingcrystal-clear note separationslightly compressed attackwarm, vocal-like lead tonetouch-sensitive dynamicsnot overly saturateddelicate delay repeatssubtle stereo spreadarticulate high end
Difficulty
The solo requires advanced legato and tapping technique, precise string skipping, and expressive vibrato, making it challenging for intermediate players but not at the extreme shredder level.
More White Lion tones
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- Wait · riff