Riff Tone
Waste
Phish
Guitarrock1990s
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (Simul-Class head, 1980s-90s, black stripe)
PickupsCustom-wound humbuckers (Languedoc G2 stock)
Amp Settings
gain3.5
bass6
mid7
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
compressionRoss (or clone) Ross Compressor (or clone)
Notes
Studio recording, 1996 (Billy Breathes album). Trey Anastasio is known to use his Languedoc G2 with custom-wound humbuckers into a Mesa/Boogie Mark III for clean and edge-of-breakup tones in this era. No direct evidence for pedal use on the 'Waste' riff, but compression is likely always on in his signal chain.
Tone Character(10)
warm and smoothclean and articulateslightly compressedrounded highsrich midrangeopen and airygentle attacksubtle sustaindynamic responsenot overdriven
Difficulty
The riff is based on simple chord shapes and slow tempo, but requires clean, even dynamics and smooth transitions between chords.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarLanguedoc G2
AmpMesa/Boogie Mark III (Simul-Class head, 1980s-90s, black stripe)
PickupsCustom-wound humbuckers (Languedoc G2 stock)
Amp Settings
gain3.5
bass6
mid7
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
compressionRoss (or clone) Ross Compressor (or clone)
Notes
Studio recording, 1996 (Billy Breathes album). Trey Anastasio is known to use his Languedoc G2 with custom-wound humbuckers into a Mesa/Boogie Mark III for clean and edge-of-breakup tones in this era. No direct evidence for pedal use on the 'Waste' riff, but compression is likely always on in his signal chain.
Tone Character(10)
warm and smoothclean and articulateslightly compressedrounded highsrich midrangeopen and airygentle attacksubtle sustaindynamic responsenot overdriven
Difficulty
The riff is based on simple chord shapes and slow tempo, but requires clean, even dynamics and smooth transitions between chords.
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