Riff Tone
Where Have All the Good Times Gone!
Van Halen
Guitarrock1990s
Original Gear
GuitarKramer Baretta (custom, single humbucker, Floyd Rose, maple neck)
AmpPeavey 5150 head (studio recording, 1991)
PickupsSeymour Duncan Custom Shop humbucker (PAF-style, wax-potted, bridge position)
Amp Settings
gain7
bass6
mid7
treble7
reverb1.5
presence6
Effects & Signal Chain
overdriveBoss Boss SD-1 Super Overdrive
noise_gateRockman Rockman Smart Gate
Notes
Studio recording for 'For Unlawful Carnal Knowledge' (1991). Eddie used his signature Peavey 5150 head and a custom Kramer Baretta with a single bridge humbucker. Effects were run through a Bradshaw switching system. No evidence of live/tour rig for this specific recording.
Tone Character(10)
British crunchtight palm mutingwarm midrangearticulate attackpercussive rhythmsaturated but not high-gainslightly compressedtouch-sensitiveclassic Van Halen 'brown sound'high-output bridge humbucker bite
Difficulty
The riff requires tight palm muting, fast chord changes, and dynamic picking, making it moderately challenging for intermediate players.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarKramer Baretta (custom, single humbucker, Floyd Rose, maple neck)
AmpPeavey 5150 head (studio recording, 1991)
PickupsSeymour Duncan Custom Shop humbucker (PAF-style, wax-potted, bridge position)
Amp Settings
gain7
bass6
mid7
treble7
reverb1.5
presence6
Effects & Signal Chain
overdriveBoss Boss SD-1 Super Overdrive
noise_gateRockman Rockman Smart Gate
Notes
Studio recording for 'For Unlawful Carnal Knowledge' (1991). Eddie used his signature Peavey 5150 head and a custom Kramer Baretta with a single bridge humbucker. Effects were run through a Bradshaw switching system. No evidence of live/tour rig for this specific recording.
Tone Character(10)
British crunchtight palm mutingwarm midrangearticulate attackpercussive rhythmsaturated but not high-gainslightly compressedtouch-sensitiveclassic Van Halen 'brown sound'high-output bridge humbucker bite
Difficulty
The riff requires tight palm muting, fast chord changes, and dynamic picking, making it moderately challenging for intermediate players.
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