ToneAdapt

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Solo Tone

You Could Be Mine

Guns N' Roses

Guitarrock1990s

Original Gear

Guitar1986 Gibson Les Paul Standard (Kris Derrig replica, likely used for studio recording)
AmpMarshall 1959T Super Lead 100-watt head (modded by Frank Levi/Glenn Buckley), Marshall 1960 4x12 cabinet with Celestion Vintage 30 speakers
PickupsSeymour Duncan Alnico II Pro humbucker (bridge pickup)

Amp Settings

gain8.5
bass5.5
mid6
treble8.5
reverb0.5
presence7

Effects & Signal Chain

boostMXR MXR MC-401/MC-402 Custom Audio Electronics Boost/Line Driver
delayUnknown Digital delay pedal (model unknown, likely Boss DD-3 or Roland SRV-2000)

Notes

Studio recording, 1990-1991, Use Your Illusion I sessions. All evidence points to Slash using his Kris Derrig Les Paul replica with Seymour Duncan Alnico II Pro bridge pickup into a modded Marshall Super Lead. No evidence of alternate guitars or amps for this solo. Effects are minimal, with a likely clean boost for solos and a digital delay audible in the solo. Settings are based on forum consensus and typical Slash studio rig for this era.

Tone Character(10)
singing sustainaggressive bridge pickup bitetight and articulate lead linescutting upper midssmooth legato runshigh output, saturated tonefast attackclear note separationminimal background noisefocused, compressed solo sound

Difficulty

The solo features fast, technical passages with demanding bends, vibrato, and phrasing, requiring advanced control and speed.

This tone has been researched 4 times by the community

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You Could Be Mine settings for your amp

Exact settings ToneAdapt players use on these amps.

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You Could Be Mine by Guns N' Roses — Solo Tone Settings | ToneAdapt