| Sweet Child O' Mine · riff | Riff · distorted | Mid-'80s Kris Derrig '59 Les Paul Standard replica | 1977 Marshall Super Lead 100-watt model 1959 (SIR #39, 'Superkill' mod by Frank Levi & Glenn Buckley) | 8 |
| Sweet Child O' Mine · solo | Solo · distorted | Mid-'80s Kris Derrig '59 Les Paul Standard replica | 1977 Marshall Super Lead model 1959 (modded 'Superkill') | 8.5 |
| November Rain · solo | Solo · distorted | Kris Derrig '59 Les Paul Standard replica | Marshall Silver Jubilee 2555 100W Head (studio), Marshall 1960 4x12 with Celestion Vintage 30 speakers | 7.5 |
| Welcome To The Jungle · riff | Riff · distorted | Kris Derrig '59 Les Paul Standard replica | 1977 Marshall Super Lead model 1959 (S.I.R. #39, 'Superkill' mod by Frank Levi/Glenn Buckley) | 8.5 |
| Paradise City · riff | Riff · distorted | 1986 Gibson Les Paul Standard | Marshall JCM800 2203 head (100W, likely with Marshall 4x12 cabinet, studio recording) | 7.5 |
| Knockin' On Heaven's Door · solo | Solo · distorted | 1959 Gibson Korina Flying V | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Don't Cry · solo | Solo · distorted | Gibson Les Paul Standard (late 1980s, likely 1987-1989, as used by Slash in studio for Use Your Illusion sessions) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinet (studio recording, 1990-1991) | 7 |
| Nightrain · riff | Riff · distorted | Kris Derrig Les Paul replica | Marshall JCM2555 Silver Jubilee head with Marshall 1960BV 4x12 cabinet | 7 |
| Estranged · solo | Solo · distorted | Kris Derrig 1959 Les Paul Standard replica | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Don't Cry · riff | Riff · distorted | Gibson Les Paul Standard (Kris Derrig '59 replica, Slash's main studio guitar for Use Your Illusion) | Marshall 100-watt Super Lead model 1959 (with 'Superkill' mod) into Marshall 1960 4x12 cabinet with Celestion Vintage 30 speakers | 6.5 |
| November Rain · riff | Riff · distorted | 1991 Gibson Les Paul Standard (Slash's Kris Derrig '59 Les Paul replica likely used in studio) | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Estranged · riff | Riff · distorted | 1956 Gibson Les Paul Goldtop | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 6.5 |
| This I Love · solo | Solo · distorted | Gibson Les Paul Standard (Slash signature or similar, likely with Alnico II Pro humbuckers) | Marshall Silver Jubilee 2555 (studio recording era, as used by Slash on Chinese Democracy sessions) | 7.5 |
| Knockin' On Heaven's Door · riff | Riff · distorted | 1959 Gibson Korina Flying V | Marshall JCM25/50 2555 Silver Jubilee 100W Head into Marshall 1960BV 4x12 cabinet | 6 |
| Don't Cry · riff | Riff · clean | Gibson Les Paul Standard (Slash's Kris Derrig '59 Burst replica, Seymour Duncan Alnico II Pro pickups) | Marshall Silver Jubilee 2555 (studio recording, Use Your Illusion I sessions, 1990-1991) | 4 |
| Knockin' On Heaven's Door · riff | Riff · clean | 1959 Gibson Korina Flying V | Roland JC-120 Jazz Chorus | 0 |
| Sweet Child O' Mine · riff | Riff · clean | Kris Derrig 1959 Les Paul Standard replica | 1977 Marshall Super Lead 1959 (with 'Superkill' mod) | 0 |
| Welcome To The Jungle · solo | Solo · distorted | Mid-'80s Kris Derrig '59 Les Paul Standard replica | 1977 100-watt Marshall Super Lead model 1959 with 'Superkill' modification by Frank Levi and Glenn Buckley | 7 |
| You Could Be Mine · solo | Solo · distorted | 1986 Gibson Les Paul Standard (Kris Derrig replica, likely used for studio recording) | Marshall 1959T Super Lead 100-watt head (modded by Frank Levi/Glenn Buckley), Marshall 1960 4x12 cabinet with Celestion Vintage 30 speakers | 8.5 |
| You Could Be Mine · riff | Riff · distorted | Gibson Les Paul Custom (likely 1987-1988, as used by Slash on Use Your Illusion sessions) | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Nightrain · solo | Solo · distorted | Kris Derrig Les Paul Replica | Marshall JCM2555 Silver Jubilee head with Marshall 1960BV 4x12 cabinet | 7.5 |
| November Rain (Live) · solo | Solo · distorted | Gibson Les Paul Custom (likely late 80s/early 90s, black finish, used live by Slash) | Marshall JCM25/50 2555 Silver Jubilee 100W Head into Marshall 1960BV 4x12 cabinet | 7.5 |
| Paradise City · solo | Solo · distorted | Gibson Les Paul Standard (likely 1959 replica, possibly Kris Derrig build, Appetite for Destruction session guitar) | Marshall SIR #39 (modded 100W Marshall 1959T Super Lead head, Appetite for Destruction studio amp) | 8.5 |
| Rocket Queen · riff | Riff · distorted | Kris Derrig Les Paul Standard replica (1959 Burst copy, used by Slash on Appetite for Destruction) | Marshall 1959T Super Tremolo 'S.I.R. #39' (modded by Tim Caswell, 100W head, used in Appetite for Destruction studio sessions) | 6.5 |
| It's So Easy (Live) · riff | Riff · distorted | Gibson Les Paul Standard (Slash signature or R9 reissue, depending on tour year) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinet | 7 |
| Mr. Brownstone (Live) · riff | Riff · distorted | Gibson Les Paul Standard (Slash, live 1987-1993 era) | Marshall JCM2555 Silver Jubilee head with Marshall 1960BV 4x12 cabinet | 7 |
| November Rain · riff | Riff · clean | Gibson Les Paul Custom | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 0 |
| Paradise City · riff | Riff · clean | 1986 Gibson Les Paul Standard (factory second, Kris Derrig replica, used by Slash on Appetite for Destruction sessions) | Marshall JCM800 2203 (modded, rented for Appetite for Destruction studio sessions) | 0 |
| Shackler's Revenge · riff | Riff · distorted | Gibson Les Paul (likely Studio or Custom, but possibly a Les Paul with DiMarzio pickups as used by Buckethead on Chinese Democracy) | Marshall JCM800 (model 2205 or similar, as used by Slash and likely in studio for this era) | 8 |
| Sweet child o mine · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM800 | 7 |
| Ain't It Fun (Radio Version) · riff | Riff · distorted | 1969 Fender Telecaster (modded, with original PAF humbucker in neck position) | 1962 Fender Deluxe (blackface), boosted with Marshall Bluesbreaker overdrive pedal | 6.5 |
| Better · riff | Riff · distorted | Gibson Les Paul Standard (Slash signature or similar, as used on Chinese Democracy era) | Marshall Silver Jubilee 2555 (studio recording, as used by Slash on Chinese Democracy sessions) | 7.5 |
| Chinese Democracy · solo | Solo · distorted | B.C. Rich Mockingbird | Marshall Silver Jubilee 2555 100-watt head | 7.5 |
| Chinese Democracy · riff | Riff · distorted | B.C. Rich Mockingbird | Marshall Silver Jubilee 100-watt head | 7.5 |
| Civil War · solo | Solo · distorted | Gibson Les Paul Standard (Slash's 1987 replica, likely Kris Derrig build) | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 7 |
| Civil War · distorted | Distorted · distorted | Fender Jazz Bass Special (Duff McKagan signature, 1980s Japan, PJ configuration) | Gallien-Krueger 800RB (studio era), likely with Tech 21 SansAmp RBI preamp/DI | 6 |
| Civil War · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 6.5 |
| Civil War · riff | Riff · clean | Dobro resonator (likely National or Dobro brand, round neck, metal body) or similar resonator-style acoustic | Likely recorded direct or mic'd with no amp, or possibly through a clean preamp; no evidence of electric amp for clean intro/verse | 0 |
| Don't Cry · clean | Clean · clean | Fender Jazz Bass Special (MIJ, 1980s, black, passive electronics) | Gallien-Krueger 800RB (studio era, late 80s/early 90s Duff standard) | 0 |
| Double Talkin' Jive (Live In London, Wembley Stadium - August 31, 1991) · riff | Riff · distorted | Gibson Les Paul Standard (Slash, 1987 reissue, likely with Seymour Duncan Alnico II Pro pickups) | Marshall JCM Slash Signature (JCM2555 Silver Jubilee, live rig 1991) | 7 |
| Double Talkin' Jive (Live In London, Wembley Stadium - August 31, 1991) · solo | Solo · distorted | Gibson Les Paul Standard (Slash, 1987 reissue, likely with Seymour Duncan Alnico II Pro pickups) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinet (live rig, 1991 tour) | 7.5 |
| Dust N' Bones (Live In London, Wembley Stadium - August 31, 1991) · solo | Solo · distorted | Gibson Les Paul Deluxe | Marshall JCM 800 (likely 2203/2204 head, as used by Slash live in this era) | 6.5 |
| Dust N' Bones (Live In London, Wembley Stadium - August 31, 1991) · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JCM 800 2203 (modified, live rig) | 6.5 |
| Estranged · riff | Riff · clean | 1956 Gibson Les Paul Goldtop | Roland JC-120 Jazz Chorus | 0 |
| Estranged (2022 Remaster) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1987 or 1988, as used by Slash in the Use Your Illusion sessions) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinet (studio recording, 1991 era) | 7 |
| Estranged (2022 Remaster) · solo | Solo · distorted | Gibson Les Paul Goldtop 1956 (replica, likely by Kris Derrig) | Marshall Silver Jubilee 2555 100W Head | 7.5 |
| Hard Skool · riff | Riff · distorted | Gibson Les Paul Standard (Slash signature, likely 2010s reissue) | Marshall Silver Jubilee 2555 head | 7 |
| It's So Easy (Live) · solo | Solo · distorted | Gibson Les Paul Standard (Slash signature or 1980s spec, live use) | Marshall Silver Jubilee 2555 (live rig, classic Slash setup) | 8.5 |
| Jumpin' Jack Flash (1986 Sound City Session) · solo | Solo · distorted | Jackson Soloist (black/white, dual humbuckers, Floyd Rose, early GNR era) | Marshall JCM800 2203 (modded with 6550 tubes, through Celestion Vintage 30 speakers) | 6.5 |
| Knockin' On Heaven's Door · solo | Solo · clean | 1959 Gibson Korina Flying V | Marshall JCM25/50 2555 Silver Jubilee 100W Head | 0 |
| Knockin' On Heaven's Door (Live) · riff | Riff · clean | Gibson Les Paul Standard (Slash, live 1990s era) | Marshall Silver Jubilee 2555 | 0 |
| Live and Let Die · solo | Solo · distorted | Gibson Les Paul Standard (Slash's main Les Paul, likely 1987 or Derrig replica) | Marshall Silver Jubilee 2555 | 8 |
| Live and Let Die · riff | Riff · distorted | Kris Derrig 1959 Les Paul Standard replica | Marshall Silver Jubilee 2555 | 7.5 |
| Locomotive (Complicity) · riff | Riff · distorted | Gibson Les Paul Standard (Slash's 1987 replica, likely Kris Derrig or Max Baranet build) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinet (studio recording, 1990-91) | 7.5 |
| Locomotive (Complicity) · solo | Solo · distorted | Gibson Les Paul Standard (likely 1987-1990, Appetite/Illusion era, with Alnico II Pro humbuckers) | Marshall JCM800 2203 (100W head, studio recording, Use Your Illusion II era) | 7 |
| master of puppets · solo | Solo · distorted | — | — | 4 |
| Mr. Brownstone (Live) · riff | Riff · clean | Gibson Les Paul Standard (Slash, live 1987-1993 era) | Marshall JCM2555 Silver Jubilee head with Marshall 1960BV 4x12 cabinet | 3.5 |
| Mr. Brownstone (Live) · solo | Solo · distorted | Gibson Les Paul Slash Signature (Tobacco Burst, 2008 Limited Edition for 1993 live shows) | Marshall Silver Jubilee 2555 | 7 |
| My Michelle · riff | Riff · distorted | 1960 Gibson SG | Marshall 1959T Super Tremolo (S.I.R. #39, Tim Caswell modded) | 6.5 |
| Nightrain · riff | Riff · clean | Gibson Les Paul Standard (replica, Kris Derrig build, as used by Slash on Appetite for Destruction) | Marshall JCM800 2203 (modded by Tim Caswell, S.I.R. #39, as used on Appetite for Destruction) | 0 |
| Nightrain (Live) · riff | Riff · distorted | Gibson Les Paul Standard (Slash's main live guitar, late 1980s spec) | Marshall JCM800 2203 (100W head) into Marshall 4x12 cabinet with Celestion speakers | 7 |
| November Rain · solo | Solo · clean | Gibson Les Paul Standard (Kris Derrig '59 replica) | Marshall 1959 Super Lead (modded by Frank Levi/Glenn Buckley) | 4 |
| November Rain (2022 Version) · solo | Solo · distorted | Gibson Les Paul Standard (Slash signature, likely 1987 or 2022 model) | Marshall JCM 800 2203 and Marshall Silver Jubilee 2555 (blended, studio recording) | 7.5 |
| November Rain (2022 Version) · riff | Riff · distorted | Gibson Les Paul Standard (Slash 'Inspired By' or Kris Derrig '59 replica) | Marshall Silver Jubilee 2555 (studio), Marshall JCM 800 2203 (alternative, similar voicing) | 6.5 |
| Out ta Get Me (Live) · riff | Riff · distorted | Gibson Les Paul Standard (Slash, live 1980s/early 1990s era) | Marshall JCM 800 2203 (live, late 1980s/early 1990s), sometimes Marshall AFD100 Slash Signature (modern live recreations) | 7 |
| Patience · riff | Riff · clean | Gibson Les Paul Standard (Slash, 1987 studio recording) | Marshall JCM800 2203 | 0 |
| Perfect Crime (Live In London, Wembley Stadium - August 31, 1991) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1987 or early 1990s, sunburst, as used by Slash live in 1991) | Marshall JCM 800 head into Marshall 1960A 4x12 cabinet | 7 |
| Perfect Crime (Live In London, Wembley Stadium - August 31, 1991) · solo | Solo · distorted | Gibson Les Paul Standard (1987, likely Kris Derrig replica or Pre-Historic R7 Goldtop, as per Slash's 1991 live rig) | Marshall JCM 2555 Silver Jubilee head with Marshall 4x12 cabinet (Celestion speakers) | 7.5 |
| Pretty Tied Up (The Perils of Rock N' Roll Decadence) · riff | Riff · distorted | Gibson Les Paul Standard (Slash's 1987 replica, likely Kris Derrig or Max Baranet build) | Marshall JCM800 2203 (modded, studio recording) | 7 |
| Rocket Queen · solo | Solo · distorted | 1986 Gibson Les Paul Standard (Kris Derrig replica, Appetite for Destruction recording guitar) | Marshall JCM800 2203 (modded S.I.R. #36 head, Appetite for Destruction studio sessions) | 7.5 |
| Rocket Queen · clean | Clean · clean | Fender Jazz Bass Special (Duff McKagan signature, 1980s Japan model) | Gallien-Krueger 800RB | 0 |
| Rocket Queen · riff | Riff · clean | Gibson Les Paul Standard (Kris Derrig replica, 1959-style, used by Slash on Appetite for Destruction) | Roland JC-120 Jazz Chorus (for clean sections in studio recording) | 0 |
| Rocket Queen (Live) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1987-1988, live touring model, possibly Kris Derrig replica or 1987 Standard) | Marshall Silver Jubilee 2555 head with Marshall 4x12 cabinets loaded with Celestion G12H speakers | 7 |
| Shadow Of Your Love · riff | Riff · distorted | Gibson Les Paul Standard (likely 1986-87, Appetite-era, Slash's main studio guitar) | Marshall JCM800 2203 head into Marshall 1960A 4x12 cabinet | 7 |
| So Fine · solo | Solo · distorted | Gibson Les Paul Standard (likely 1987-1991, Slash's main studio guitar for UYI era) | Marshall 1959T Super Tremolo (modded Super Lead, typical for Slash in UYI sessions) | 7.5 |
| Speak Softly, Love (Love Theme From The Godfather) [Live In Paris, Hippodrome De Vincennes - June 6, 1992] · solo | Solo · distorted | Gibson Les Paul Standard (Slash, 1991-1992 touring model, likely Kris Derrig replica or 1987 Les Paul Standard) | Marshall Silver Jubilee 2555 (live touring head, 1992) | 7 |
| Sweet Child O' Mine · solo | Solo · clean | Gibson Les Paul Standard (Kris Derrig replica, 1959 style) | Roland JC-120 Jazz Chorus | 0 |
| Sweet Child O' Mine · clean | Clean · clean | Fender Jazz Bass Special (PJ configuration, Japanese, 1980s, passive electronics) | Gallien-Krueger 800RB (studio, 1987 Appetite for Destruction sessions) | 0 |
| Sweet Child O' Mine · distorted | Distorted · distorted | Fender Jazz Special (PJ configuration, 1980s MIJ, passive) | Gallien-Krueger 800RB | 5.5 |
| Sweet Child O' Mine (Live) · solo | Solo · distorted | Gibson Les Paul Standard (Kris Derrig replica for Appetite era, Seymour Duncan Alnico II Pro humbuckers) | Marshall JCM800 2203 (studio/live), sometimes Marshall Silver Jubilee 2555 (live variant) | 7 |
| There Was A Time · solo | Solo · distorted | Gibson Les Paul Standard (Slash signature or similar, 2006 studio session) | Magnatone SL-100 (100-watt British-voiced head, used for studio recording of Chinese Democracy era) | 8.5 |
| There Was A Time · riff | Riff · distorted | Gibson Les Paul Standard (Slash signature or Kris Derrig/Max Baranet replica likely, but not confirmed for this track) | Marshall Silver Jubilee 2555 (highly likely for 'Chinese Democracy' era, but not 100% confirmed for this track) | 7 |
| This I Love · riff | Riff · distorted | Gibson Les Paul Standard (likely Slash signature or Kris Derrig replica, as used by Slash on Chinese Democracy era) | Marshall Silver Jubilee 2555 (studio, Chinese Democracy era; Slash's main amp for this period) | 7.5 |
| This I Love · solo | Solo · clean | Gibson Les Paul (likely Custom Shop or Standard, as used by Slash in studio) | Marshall JCM800 2203 (studio recording, as per Slash's typical clean tone setup for ballads) | 0 |
| Used to Love Her (Live) · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JCM800 | 6 |
| Welcome To The Jungle · clean | Clean · clean | Fender Jazz Bass Special (Duff McKagan signature, PJ configuration) | Gallien-Krueger 800RB (studio, Appetite for Destruction sessions, 1987) | 0 |
| Welcome To The Jungle · riff | Riff · clean | Kris Derrig 1959 Les Paul Standard replica | Marshall 1959 Super Lead (SIR #36/#39 modded by Frank Levi and Glenn Buckley) | 0 |
| Welcome To The Jungle (1986 Sound City Session) · riff | Riff · distorted | Kris Derrig 1959 Les Paul Standard replica | Marshall 1959 Super Lead (SIR #36/#39 modded by Frank Levi and Glenn Buckley) | 6.5 |
| You Could Be Mine (Live In Las Vegas, Thomas & Mack Center - January 25, 1992) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1987 or late 80s, sunburst, as used by Slash live in 1992) | Marshall JCM 2555 Silver Jubilee 100W Head (live rig, 1992 tour) | 7.5 |
| You're Crazy (Live) · riff | Riff · distorted | Gibson Les Paul Standard 1987 | Marshall JCM 2555 Silver Jubilee with EL34 tubes | 7 |