| Free Bird · solo | Solo · distorted | 1958 Gibson Explorer | Marshall 1959T Super Tremolo (Plexi) | 6.5 |
| Free Bird · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely 1959 reissue or original) | Peavey Mace (early 1970s, 160-watt solid-state preamp/tube power amp combo) | 5 |
| Sweet Home Alabama · riff | Riff · distorted | 1973 Fender Stratocaster | Peavey Mace (1970s model, 160W 6x6L6 tube amp) | 4.5 |
| Simple Man · riff | Riff · distorted | 1969 Gibson Les Paul Standard | Peavey Mace 320T | 5 |
| I Need You · solo | Solo · distorted | Gibson Les Paul Standard (early 1970s, likely '59 reissue or similar, as used by Gary Rossington in studio) | Peavey Mace (early 1970s, 160-watt solid-state preamp/tube power amp combo, as used by Rossington in studio) | 5 |
| On the Hunt · riff | Riff · distorted | 1972 Gibson Les Paul Deluxe | Marshall 100-watt Super Lead (Plexi, late '60s/early '70s, likely JMP or Super Lead 1959) | 6 |
| Simple Man · solo | Solo · distorted | 1971 Gibson Les Paul Deluxe (Goldtop, mini-humbuckers, known as 'Bernice') | Peavey Mace 160W (JBL E-120 speakers, rewired for Marshall-like sound) | 6 |
| Gimme Three Steps · riff | Riff · distorted | Gibson Les Paul (likely Standard, 1950s/60s spec, used by Allen Collins or Gary Rossington) | Marshall JTM45 (cranked, likely non-master volume, classic British rock amp of the era) | 5.5 |
| Tuesday's Gone · riff | Riff · clean | 1960s Gibson Les Paul Standard | Fender Twin Reverb (Blackface, mid-1960s) | 3 |
| Call Me the Breeze · riff | Riff · distorted | 1960s Gibson Les Paul Deluxe Goldtop (mini humbuckers, likely Rossington's main guitar for this track) | Fender 'Silverface' Twin Reverb (1972-1976) | 4 |
| Cry for the Bad Man · riff | Riff · distorted | Gibson Les Paul Custom (1970s, likely Gary Rossington's main guitar for this track) | Marshall 100-watt Super Lead (Plexi, late 1960s/early 1970s, typical for Skynyrd studio recordings of this era) | 6 |
| Sweet Home Alabama · solo | Solo · distorted | 1973 Fender Stratocaster | Marshall 1959T Super Tremolo | 4.5 |
| What's Your Name · riff | Riff · distorted | 1970s Gibson Les Paul Standard | Marshall 100-watt Super Lead (Plexi, late 1960s/early 1970s) | 4.5 |
| Call Me the Breeze · clean | Clean · clean | Fender Jazz Bass | Peavey Mark III Bass Head + Peavey 2x15 cabinet | 0 |
| Call Me the Breeze · solo | Solo · distorted | 1960s Gibson Les Paul Goldtop with mini-humbuckers | Marshall 1959T Super Tremolo head into Marshall 4x12 cab with JBL 12" speakers | 5 |
| Don't Ask Me No Questions · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely 1959 reissue or original burst, as used by Gary Rossington) | Marshall 1959T Super Tremolo head into Marshall 4x12 cabinet | 5 |
| Free Bird · riff | Riff · clean | 1961 Gibson SG/Les Paul | Peavey Mace | 3.5 |
| Free Bird (Extended Music Version) · solo | Solo · distorted | Gibson Les Paul Standard (1958/1968, 'The Husk') | Marshall Super Lead 100 (1976, original, 100 watts) | 6.5 |
| Free Bird (Live at the Fox Theater/1976) · solo | Solo · distorted | 1964 Gibson Firebird I | Peavey Mace head and cabinet | 6.5 |
| Free Bird (Live at the Fox Theater/1976) · riff | Riff · distorted | 1961 Gibson Les Paul/SG | Peavey Mace combo amp (with Peavey 412M 4x12 cab) | 6 |
| Free Bird (Undubbed) [Live] · riff | Riff · distorted | Gibson Firebird Vintage (Allen Collins, primary for riff section, live 1970s) | Marshall 1959T Super Tremolo head into 4x12 cabinet | 5 |
| Gimme Back My Bullets · riff | Riff · distorted | Gibson Les Paul Custom 'Black Beauty' (Allen Collins) and Gibson Les Paul (Gary Rossington) | Peavey Mace (studio recording, 1976 album) | 5.5 |
| Gimme Three Steps · solo | Solo · distorted | Gibson Explorer (1958, natural finish, Allen Collins) | Marshall Plexi Super Lead 100 (model 1959, late 1960s/early 1970s, likely with 4x12 cabinet loaded with Celestion speakers) | 5.5 |
| Gimme Three Steps (Live) · riff | Riff · distorted | Gibson Les Paul Standard '60s | Marshall 1959SLP Plexi Super Lead (Live) | 5.5 |
| I Ain't the One · riff | Riff · distorted | Gibson Les Paul (likely 1959 or early 1970s Standard or Custom, as used by Gary Rossington on the debut album) | Marshall 1959T Super Tremolo (Plexi, non-master volume, as used on the first three Skynyrd albums) | 5 |
| I Need You · riff | Riff · clean | Gibson Les Paul Standard (early 1970s, likely 1959 reissue or original burst) | Peavey Mace 160W (JBL E-120 speakers, modded for Marshall-like tone) | 2.5 |
| I Need You · riff | Riff · distorted | Gibson Firebird (likely 1964-65, Allen Collins' main guitar for this era) | Marshall Plexi Super Lead 1959 (100W, typical for Skynyrd studio recordings in the 1970s) | 5 |
| I Need You · solo | Solo · clean | Fender Stratocaster (early 70s, likely 1972-73, with tremolo/whammy bar) | Fender Twin Reverb (Blackface or Silverface, studio recording) | 4 |
| I'm a Country Boy · riff | Riff · distorted | Gibson Les Paul Standard (likely 1959 or early 1970s model, as used by Gary Rossington on studio recordings) | Marshall amplifier (likely 100-watt Super Lead, as used by Skynyrd in the 1970s studio sessions) | 4.5 |
| Saturday Night Special · riff | Riff · distorted | 1972 Gibson Les Paul Deluxe | Peavey Mace 320T | 6 |
| Saturday Night Special · solo | Solo · distorted | 1960s Fender Stratocaster | Fender Twin Reverb (Blackface era, mid-1960s) | 6 |
| Searching · solo | Solo · distorted | Gibson Les Paul Standard (Gary Rossington signature or 1959 reissue, as used by Rossington in studio) | Peavey Mace 100-watt head with Peavey 4x12 cabinet (JBL 120F speakers) | 5 |
| Searching · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely tobacco burst, humbuckers) | Peavey Mace (early 1970s, 160-watt 6xL6 combo, spring reverb) | 4.5 |
| Simple Man · riff | Riff · clean | Gibson Les Paul Standard (early 1970s, humbuckers) | Marshall Plexi (1959 Super Lead, early 1970s studio recording) | 2 |
| Swamp Music · riff | Riff · clean | Gibson Les Paul Standard (early 1970s, likely 1959 or 1960 model, as used by Gary Rossington on studio recordings) | Peavey Mace 160W 2x12 combo (JBL speakers, studio recording, 1974) | 2.5 |
| Sweet Home Alabama · riff | Riff · clean | Gibson Les Paul Standard | Fender Twin Reverb | 0 |
| Sweet Home Alabama (Live) · solo | Solo · distorted | 1973 Fender Stratocaster | Peavey Mace (1970s, 160-watt solid state preamp/tube power amp combo) | 5.5 |
| Sweet Home Alabama (Live) · riff | Riff · clean | Fender Stratocaster (likely 1973, Ed King’s main guitar for this song) | Peavey Mace (live version, as used by Ed King in Lynyrd Skynyrd’s classic era) | 2.5 |
| That Smell · solo | Solo · distorted | Gibson Les Paul (likely 1959 Standard, as used by Gary Rossington on studio recordings in the 1970s) | Peavey Mace (1970s model, 160-watt 6x6L6 combo, as used by Gary Rossington in studio and live) | 6 |
| That Smell · riff | Riff · distorted | Gibson Les Paul Standard (Gary Rossington, studio recording, 1977) | Peavey Mace (Rossington's main amp for studio and live in 1977) | 5.5 |
| The Ballad of Curtis Loew · riff | Riff · clean | Fender Stratocaster (early 1970s, likely American Standard or similar vintage model) | Fender Twin Reverb (early 1970s silverface, with built-in spring reverb and tremolo/vibrato) | 3.5 |
| The Ballad of Curtis Loew · solo | Solo · distorted | Gibson Les Paul Special | Marshall 1959T Super Tremolo | 5 |
| The Needle and the Spoon · solo | Solo · distorted | 1958 Gibson Explorer | Peavey Mace (early 1970s model, 160W 6x6L6 tube combo) | 6.5 |
| The Needle and the Spoon · riff | Riff · distorted | 1960s Gibson Les Paul Goldtop with mini-humbuckers | Marshall 1959T Super Tremolo | 6 |
| Things Goin' On · riff | Riff · distorted | Gibson Firebird Vintage | Marshall 1959T Super Tremolo | 4.5 |
| Tuesday's Gone · solo | Solo · distorted | Gibson Les Paul Standard (likely 1959 or early 1970s, as used by Gary Rossington on studio recordings) | Marshall Plexi (likely Super Lead 1959, as used in studio in early 1970s) | 4 |
| Tuesday's Gone · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely Gary Rossington's main guitar for studio recording) | Marshall 100-watt Super Lead (Plexi, early 1970s, likely used in studio) | 3.5 |
| Was I Right Or Wrong · riff | Riff · distorted | Gibson Les Paul Standard (likely 1959 or early 1970s, as used by Gary Rossington on early Skynyrd studio recordings) | Marshall 1959T Super Tremolo head (as used by Gary Rossington on first three Skynyrd albums) | 5 |
| Whiskey Rock-a-Roller · riff | Riff · distorted | 1973 Gibson Les Paul Deluxe | Peavey Mace 320T | 5.5 |
| You Got That Right · riff | Riff · distorted | Gibson Firebird (likely Allen Collins, studio recording) | Peavey Mace (Gary Rossington) and Marshall Plexi (Allen Collins, likely studio amp) | 5.5 |