| Thank You for the Venom · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JCM2000 DSL100 (likely, based on era and band interviews) | 8 |
| Welcome to the Black Parade · riff | Riff · distorted | Gibson Les Paul Custom (1978, black finish, Ray Toro's main guitar for this song's riff section) | Marshall JCM800 100W head (borrowed from producer Rob Cavallo for The Black Parade studio recording) | 7.5 |
| I'm Not Okay (I Promise) · riff | Riff · distorted | Gibson Les Paul Standard | Crate BV300HB Blue Voodoo Guitar Amp Head | 7.5 |
| It's Not a Fashion Statement It's a Deathwish · riff | Riff · distorted | Epiphone Les Paul Elitist (Ray Toro's main studio guitar for Three Cheers for Sweet Revenge) | Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | 8 |
| Demolition Lovers · riff | Riff · distorted | Gibson Les Paul Standard (Ray Toro, studio recording) | Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | 7.5 |
| The Ghost of You · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JCM800 | 7.5 |
| I Don't Love You · riff | Riff · distorted | Epiphone Elitist Les Paul Custom (Frank Iero, studio recording, rhythm/riff section) | Marshall JCM2000 DSL100 head into Marshall 1960A 4x12 cabinet (studio recording) | 6.5 |
| Give 'Em Hell, Kid · riff | Riff · distorted | Epiphone Les Paul Custom (likely 2002-2003, Ray Toro's main studio guitar for Three Cheers for Sweet Revenge) | Marshall JCM2000 DSL100 (studio amp for Three Cheers for Sweet Revenge era, per interviews and gear rundowns) | 7.5 |
| Demolition Lovers · solo | Solo · distorted | Gibson Les Paul Standard | Crate BV300HB Blue Voodoo Guitar Amp Head | 7.5 |
| Helena · riff | Riff · distorted | Epiphone Les Paul Custom (Ray Toro, studio recording) | Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | 7.5 |
| Honey, This Mirror Isn't Big Enough For the Two of Us · riff | Riff · distorted | Epiphone Les Paul Standard (likely early 2000s Korean model) | Marshall JCM2000 DSL100 | 8 |
| Teenagers · riff | Riff · distorted | Epiphone Les Paul Custom (Ray Toro, studio recording) | Marshall JCM2000 DSL100 (studio recording, 2006) | 7 |
| Thank You for the Venom (2025 Mix) · riff | Riff · distorted | Epiphone Elitist Les Paul Custom (likely Ray Toro's main studio guitar for this era) | Marshall JCM2000 DSL100 head into Marshall 1960A 4x12 cabinet | 7.5 |
| Dead! · solo | Solo · distorted | Gibson Les Paul Standard (Ray Toro, studio recording, 2006) | Marshall JCM800 2210 (studio recording, 2006) | 7.5 |
| Dead! · riff | Riff · distorted | Gibson Les Paul Standard (Ray Toro, 1978 black Les Paul) | Marshall JCM800 (limited edition reissue head, studio recording) | 7.5 |
| Demolition Lovers · riff | Riff · clean | Gession Les Paul Copy | Marshall JCM800 (studio recording, 2002 era) | 0 |
| Thank you for the venom · solo | Solo · distorted | Gibson Les Paul Standard (Ray Toro's main studio guitar for Three Cheers for Sweet Revenge) | Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | 7.5 |
| This Is How I Disappear · riff | Riff · distorted | Epiphone Elitist Les Paul Custom (Ray Toro, studio recording, 2006) | Marshall JCM800 2203 (studio head, limited edition, 2000s reissue) | 8.5 |
| You Know What They Do To Guys Like Us In Prison · riff | Riff · distorted | Epiphone Les Paul Custom (likely 2002-2004, as used by Frank Iero on Three Cheers for Sweet Revenge) | Marshall JCM2000 DSL100 (studio recording, 2004 era) | 7.5 |
| Helena (2025 Mix) · riff | Riff · distorted | Epiphone Les Paul Custom (Frank Iero, studio recording) | Marshall JCM2000 DSL100 | 7.5 |
| Mama · riff | Riff · distorted | Gibson Les Paul with Seymour Duncan Phat Cat P-90s (Ray Toro, left channel); Gibson Les Paul (Frank Iero, right channel) | Marshall JCM800 (Ray), Marshall Plexi (modded, Frank) | 7.5 |
| my way home is through you · riff | Riff · distorted | Gibson Les Paul Standard (Ray Toro, studio recording) | Marshall JCM800 | 7.5 |
| The End. · riff | Riff · distorted | Gibson Les Paul Standard (1978, black, Ray Toro's main guitar for 'The End.') | Marshall JCM2000 DSL100 (studio, 2004 era; Marshall 4x12 cab; likely with Mesa/Boogie Dual Rectifier blended, but Marshall is primary for riff) | 7.5 |
| This Is the Best Day Ever · riff | Riff · distorted | Gibson Les Paul Custom | Marshall JCM800 | 7.5 |
| Boy Division · riff | Riff · distorted | Epiphone Les Paul Custom (likely Frank Iero's main guitar for this era/album) | Marshall JCM2000 DSL100 (typical for MCR studio rhythm tones, especially on 'Conventional Weapons' sessions) | 8.5 |
| Burn Bright · riff | Riff · distorted | Gibson Les Paul Custom (Ray Toro, likely 1978 Black Beauty) | Marshall JMP head into Marshall 4x12 cab | 7.5 |
| Burn Bright · riff | Riff · clean | Gibson Les Paul Custom (Ray Toro, likely 1978 Black model) | Fender Deluxe Reverb (studio clean tones on The Black Parade sessions) | 0 |
| Cemetery Drive · riff | Riff · distorted | Epiphone Les Paul Custom (likely Frank Iero or Ray Toro's studio guitar, as used on 'Three Cheers for Sweet Revenge') | Marshall JCM2000 DSL100 (typical for MCR's studio rhythm tones on this album) | 7.5 |
| Cemetery Drive (2025 Mix) · riff | Riff · clean | Gibson Les Paul Custom | Fender Twin Reverb (used for clean tones in studio and live, 2025 era) | 0 |
| Cubicles · riff | Riff · distorted | Gibson Les Paul Standard (likely 1990s/early 2000s, used by Ray Toro and Frank Iero on 'I Brought You My Bullets, You Brought Me Your Love') | Marshall JCM800 (studio recording, likely head into 4x12 cab) | 7 |
| Dead! · distorted | Distorted · distorted | Fender American Standard Precision Bass | Ampeg SVT Classic with 8x10 cabinet | 6.5 |
| Demolition Lovers · solo | Solo · clean | Gibson Les Paul Standard (Ray Toro, studio recording) | Marshall JCM2000 DSL100 (studio, 2002-2003 era; JCM800/JCM900 also possible, but JCM2000 most likely per era and sources) | 0 |
| Desolation Row · solo | Solo · distorted | Gibson Les Paul Standard (Ray Toro's main guitar for this era/recording) | Marshall JCM800 (studio recording amp, confirmed as main MCR amp for heavy tones) | 7 |
| Disenchanted · riff | Riff · distorted | Gibson Les Paul Standard '60s | Marshall JCM2000 DSL100 | 7 |
| Disenchanted · clean | Clean · clean | Fender Precision Bass (American Standard) or Fender Jazz Bass (Silver Sparkle signature model) – exact model for 'Disenchanted' unknown | Likely Ampeg SVT through Ampeg 8×10 cabinet (based on era and fan reports) | 0 |
| Disenchanted · riff | Riff · clean | Gibson Les Paul Standard (Ray Toro, studio recording, 2006) | Marshall JCM800 100W head into Marshall 4x12 cab | 0 |
| Drowning Lessons · riff | Riff · distorted | Cession Les Paul Copy | Unknown solid-state or tube amp (exact model not confirmed for studio recording) | 7.5 |
| Early Sunsets over Monroeville · riff | Riff · distorted | Cession Les Paul Copy | Marshall JCM800 | 7 |
| Early Sunsets over Monroeville · riff | Riff · clean | Gibson Les Paul Standard | Marshall JMP head into Marshall 4x12 cab | 0 |
| Famous Last Words · solo | Solo · distorted | Gibson Les Paul Standard (Ray Toro's black '78 Les Paul Custom, as used on 'Famous Last Words' solo) | Marshall JMP head (likely late 1970s/early 1980s, as per Premier Guitar rig rundown) | 7 |
| Famous Last Words · riff | Riff · clean | Gibson Les Paul Studio (Ray Toro) or Epiphone Elitist (Frank Iero) – likely Les Paul Studio for clean riff | Marshall JCM2000 DSL100 (studio recording, The Black Parade era) | 0 |
| Famous Last Words · riff | Riff · distorted | Gibson Les Paul Standard (Ray Toro, studio recording) | Marshall JCM800 2203 head into Marshall 4x12 cabinet | 7.5 |
| Give 'Em Hell, Kid · distorted | Distorted · distorted | Fender Precision Bass (Mikey Way, as tab indicates) | Fender Super Bassman head into 8x10 cabinets | 6.5 |
| Hang 'Em High · riff | Riff · distorted | Epiphone Les Paul (Ray Toro, studio recording) | Marshall JCM2000 DSL100 (studio recording, Three Cheers for Sweet Revenge era) | 8 |
| Headfirst for Halos · riff | Riff · distorted | Gibson Les Paul Standard '60s | Marshall JCM800 2203 | 7.5 |
| Helena · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM2000 TSL 100 Triple Super Lead | 7.5 |
| Honey, This Mirror Isn't Big Enough For the Two of Us · clean | Clean · clean | Fender Precision Bass (likely early 2000s, passive) | Ampeg SVT Classic (studio, early 2000s era typical for punk/emo) | 0 |
| House of Wolves · riff | Riff · distorted | Epiphone Elitist Les Paul Custom (Frank Iero, studio recording) | Marshall JCM800 2203 (studio recording, The Black Parade era) | 7.5 |
| I Don't Love You · solo | Solo · distorted | Fender Telecaster Deluxe | Marshall JCM800 2203 | 7 |
| I Never Told You What I Do for a Living · riff | Riff · distorted | Gibson Les Paul Standard (early 90s, likely 1991 or 1993) | Marshall JCM2000 DSL100 | 7.5 |
| I'm Not Okay (I Promise) · riff | Riff · clean | Gibson Les Paul Standard | Crate BV300HB Blue Voodoo Guitar Amp Head | 0 |
| I'm Not Okay (I Promise) · solo | Solo · distorted | Epiphone Les Paul Standard | Crate BV300HB Blue Voodoo Guitar Amp Head | 7.5 |
| It's Not a Fashion Statement It's a Deathwish · solo | Solo · clean | Gibson Les Paul Standard | Marshall JCM2000 DSL100 (studio recording, 2004 era) | 0 |
| It's Not a Fashion Statement It's a Deathwish · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM800 2203 | 8 |
| Na Na Na (Na Na Na Na Na Na Na Na Na) · riff | Riff · distorted | Gibson Les Paul Custom (likely Frank Iero or Ray Toro's main studio guitar for Danger Days era) | Marshall JCM800 (studio recording, as referenced for MCR's main tone in this era) | 7.5 |
| Na Na Na (Na Na Na Na Na Na Na Na Na) · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JMP (1970s, likely Super Lead or JMP 2203) | 7.5 |
| Save Yourself, I'll Hold Them Back · riff | Riff · distorted | Gibson Les Paul (likely Custom or Standard, as used by Ray Toro on Danger Days sessions) | Marshall 4x12 Cabinet with high-gain head (likely Marshall JCM800 or JCM900, as used on Danger Days), possible layering with Orange Dual Dark 100 (Kemper profile, but not confirmed for studio recording) | 7.5 |
| Sing · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JMP (with Metropoulos Metroplex blended, both into Fryette PS-100 attenuators, into Marshall and Bad Cat 4x12 cabs) | 7.5 |
| Skylines and Turnstiles · riff | Riff · distorted | Gession Les Paul Copy | Marshall JCM800 | 7.5 |
| Sleep · riff | Riff · distorted | Epiphone Les Paul Elitist (Ray Toro's main studio guitar for The Black Parade era) | Marshall JMP head into Marshall 4x12 cabinet (studio recording, The Black Parade era) | 7.5 |
| Summertime · riff | Riff · distorted | Gibson Les Paul Standard (Ray Toro, studio recording) | Marshall JCM800 (modded, studio recording) | 6.5 |
| Teenagers · solo | Solo · distorted | Harmony H19 Silhouette | Marshall JCM800 (studio recording era typical, not directly cited but inferred from era and genre; no explicit amp model for this song/section found in sources) | 6.5 |
| Thank You for the Venom · clean | Clean · clean | Fender Precision Bass | Ampeg SVT Classic | 0 |
| Thank You for the Venom · riff | Riff · clean | Epiphone Les Paul Elitist (Ray Toro's main studio guitar for Three Cheers for Sweet Revenge era) | Marshall JCM2000 DSL100 head with Marshall 1960A 4x12 cabinet | 0 |
| Thank You for the Venom (2025 Mix) · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM2000 DSL100 head with Marshall 4x12 cabinet | 7.5 |
| The Foundations of Decay · riff | Riff · distorted | Gibson Les Paul (Ray Toro or Frank Iero, likely Standard or Custom, humbuckers) | Marshall JCM800 (studio recording, likely cranked for high-gain rhythm) | 7.5 |
| The Ghost of You · riff | Riff · clean | Gibson Les Paul Standard | Marshall JCM800 | 0 |
| The Ghost of You (2025 Mix) · riff | Riff · clean | Gibson Les Paul | Fender Twin Reverb | 0 |
| The Ghost of You (2025 Mix) · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM800 2203 | 7 |
| The Sharpest Lives · riff | Riff · distorted | Epiphone Les Paul Custom (Frank Iero, likely for rhythm riff section) | Orange Rockerverb 100 (studio, Black Parade era; some sources mention Orange Dark Terror as similar, but Rockerverb 100 is most likely for the album recording) | 8 |
| The Sharpest Lives · solo | Solo · distorted | Gibson Les Paul Standard '60s | Marshall JCM2000 DSL100 (studio, with possible layering from Mesa Boogie Dual Rectifier and/or Marshall JCM800 2203) | 7 |
| This Is How I Disappear · clean | Clean · clean | Ernie Ball Music Man StingRay (early 2000s, 4-string, likely passive electronics for studio, but StingRay is typically active) | Fender Super Bassman head into 8x10 cab (studio likely similar, possibly with DI blend) | 0 |
| To the End · riff | Riff · distorted | Gibson Les Paul (likely Studio or Custom, mahogany body, used by Ray Toro and Frank Iero on 'Three Cheers for Sweet Revenge') | Marshall JCM800 100W head (studio recording, 2003-2004 era, as used on 'Three Cheers for Sweet Revenge') | 7.5 |
| Vampires Will Never Hurt You · riff | Riff · distorted | Cession Les Paul Copy | Unknown model (likely Marshall or similar high-gain amp, as used in early 2000s post-hardcore recordings; no direct source for exact model on this song/section) | 7.5 |
| Welcome to the Black Parade · solo | Solo · distorted | Gibson Les Paul Standard (sunburst, late 1970s) | Marshall amplifier (exact model not specified, likely JCM800 or similar, as seen in rig rundowns) | 7.5 |
| Welcome to the Black Parade · riff | Riff · clean | Epiphone Les Paul Custom (Ray Toro, studio recording, 2006) | Marshall JCM800 100W Head | 0 |
| You Know What They Do To Guys Like Us In Prison · solo | Solo · distorted | Epiphone Les Paul Elitist (Ray Toro's main studio guitar for Three Cheers for Sweet Revenge era) | Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head | 7.5 |
| You Know What They Do To Guys Like Us In Prison · riff | Riff · clean | Epiphone Les Paul Custom (likely Frank Iero's main studio guitar for this album) | Marshall JCM2000 DSL100 Head with Marshall 1960A 4x12 Cabinet | 4.5 |