Solo Tone
Burndt Jamb
Weezer
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 1990s or early 2000s, as used by Rivers Cuomo on Maladroit)
AmpMesa/Boogie Mark I (studio recording amp for Maladroit era, as cited for Weezer's heavy tones)
PickupsHumbucker (stock Gibson, likely 490R/498T or similar)
Amp Settings
gain5
bass6.5
mid6.5
treble6.5
reverb2.5
presence5.5
Effects & Signal Chain
fuzzUnknown Fuzz pedal (model unknown, likely ZVEX Fuzz Factory or Electro-Harmonix Big Muff Pi)
Notes
Studio recording, 2001-2002 (Maladroit sessions). No evidence of live rig or alternate guitars/amps for this solo. No confirmed pedalboard for this specific song/section.
Tone Character(10)
fuzz-laden and saturatedsinging sustainthick and compressedaggressive upper-midrange biteharmonic-rich distortiontight and focused lowsclear note separationslightly scooped midsmodern alternative rock soloviolin-like lead tone
Difficulty
The solo requires intermediate technique due to sustained bends, vibrato, and maintaining clarity with a saturated fuzz tone, but does not feature advanced speed or complex phrasing.
Sources
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Original Gear
GuitarGibson Les Paul Standard (likely 1990s or early 2000s, as used by Rivers Cuomo on Maladroit)
AmpMesa/Boogie Mark I (studio recording amp for Maladroit era, as cited for Weezer's heavy tones)
PickupsHumbucker (stock Gibson, likely 490R/498T or similar)
Amp Settings
gain5
bass6.5
mid6.5
treble6.5
reverb2.5
presence5.5
Effects & Signal Chain
fuzzUnknown Fuzz pedal (model unknown, likely ZVEX Fuzz Factory or Electro-Harmonix Big Muff Pi)
Notes
Studio recording, 2001-2002 (Maladroit sessions). No evidence of live rig or alternate guitars/amps for this solo. No confirmed pedalboard for this specific song/section.
Tone Character(10)
fuzz-laden and saturatedsinging sustainthick and compressedaggressive upper-midrange biteharmonic-rich distortiontight and focused lowsclear note separationslightly scooped midsmodern alternative rock soloviolin-like lead tone
Difficulty
The solo requires intermediate technique due to sustained bends, vibrato, and maintaining clarity with a saturated fuzz tone, but does not feature advanced speed or complex phrasing.
Burndt Jamb settings for your amp
Exact settings ToneAdapt players use on these amps.
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