Solo Tone
Eyes Without a Face
Billy Idol
Guitarrock1980s
Original Gear
GuitarHamer SS Signature (Steve Stevens signature model, early prototype, likely with Floyd Rose)
AmpMarshall JCM800 2203 head
PickupsSeymour Duncan JB (bridge humbucker), stock neck humbucker
Amp Settings
gain6.5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1983 for the 'Rebel Yell' album. Steve Stevens used his Hamer SS signature prototype with a Marshall JCM800 2203. Effects chain based on period-correct pedalboard photo and interviews. No evidence of live-specific gear for the solo section.
Tone Character(10)
singing sustainlush chorus shimmerclear note separationsmooth lead toneslight edge of breakupambient spaciousnessbright but not harshmodulated claritynot overly saturateddistinct attack
Difficulty
The solo requires intermediate technique, including expressive bends, vibrato, and melodic phrasing, as well as control over sustain and timing with modulation and delay effects.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarHamer SS Signature (Steve Stevens signature model, early prototype, likely with Floyd Rose)
AmpMarshall JCM800 2203 head
PickupsSeymour Duncan JB (bridge humbucker), stock neck humbucker
Amp Settings
gain6.5
bass6
mid6.5
treble7
reverb3.5
presence6
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1983 for the 'Rebel Yell' album. Steve Stevens used his Hamer SS signature prototype with a Marshall JCM800 2203. Effects chain based on period-correct pedalboard photo and interviews. No evidence of live-specific gear for the solo section.
Tone Character(10)
singing sustainlush chorus shimmerclear note separationsmooth lead toneslight edge of breakupambient spaciousnessbright but not harshmodulated claritynot overly saturateddistinct attack
Difficulty
The solo requires intermediate technique, including expressive bends, vibrato, and melodic phrasing, as well as control over sustain and timing with modulation and delay effects.
Eyes Without a Face settings for your amp
Exact settings ToneAdapt players use on these amps.
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