Riff Tone
Rebel Yell
Billy Idol
Guitarrock1980s
Original Gear
GuitarKramer Pacer (early 1980s, Floyd Rose tremolo)
Amp1970s Marshall Metal Face (non-plexi, likely JMP 2203 or 1959 Super Lead)
PickupsStock Kramer humbucker (likely Schaller Golden 50 or Dimarzio Super Distortion, era-appropriate for early 80s Kramer Pacers)
Amp Settings
gain7.5
bass6
mid7
treble7.5
reverb2
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
compressionBoss Boss CS-2 Compression Sustainer
otherBoss Boss FV-100 Volume Pedal
Notes
Studio recording, 1983. Steve Stevens confirmed use of Kramer Pacer and 1970s Marshall Metal Face for the 'Rebel Yell' riff. No evidence of live/touring substitutions for the original recording. Effects chain confirmed by period pedalboard photo and interviews.
Tone Character(10)
tight, percussive attackaggressive, saturated crunchcutting upper midsarticulate pick attacksustained power chords80s hard rock biteclear note separation under gainchorus shimmerpunchy low enddynamic response to picking
Difficulty
The riff requires tight, fast alternate picking with palm muting, precise timing, and clean articulation under heavy distortion, making it moderately challenging for intermediate players.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1980s
Original Gear
GuitarKramer Pacer (early 1980s, Floyd Rose tremolo)
Amp1970s Marshall Metal Face (non-plexi, likely JMP 2203 or 1959 Super Lead)
PickupsStock Kramer humbucker (likely Schaller Golden 50 or Dimarzio Super Distortion, era-appropriate for early 80s Kramer Pacers)
Amp Settings
gain7.5
bass6
mid7
treble7.5
reverb2
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
compressionBoss Boss CS-2 Compression Sustainer
otherBoss Boss FV-100 Volume Pedal
This tone has been researched 2 times by the community
Notes
Studio recording, 1983. Steve Stevens confirmed use of Kramer Pacer and 1970s Marshall Metal Face for the 'Rebel Yell' riff. No evidence of live/touring substitutions for the original recording. Effects chain confirmed by period pedalboard photo and interviews.
Tone Character(10)
tight, percussive attackaggressive, saturated crunchcutting upper midsarticulate pick attacksustained power chords80s hard rock biteclear note separation under gainchorus shimmerpunchy low enddynamic response to picking
Difficulty
The riff requires tight, fast alternate picking with palm muting, precise timing, and clean articulation under heavy distortion, making it moderately challenging for intermediate players.
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