Solo Tone
Rebel Yell
Billy Idol
Guitarrock1980s
Original Gear
GuitarHamer Steve Stevens I
AmpMarshall 1971 JMP 100-watt (metal panel, non-plexi)
PickupsDiMarzio Super Distortion (bridge humbucker, likely stock for Hamer SS I in 1983)
Amp Settings
gain7.5
bass6
mid6.5
treble7.5
reverb2.5
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown)
compressionBoss Boss CS-2 Compression Sustainer
Notes
Studio recording, 1983. Steve Stevens confirmed in interview he used his '71 Marshall JMP for the original 'Rebel Yell' recording. Guitar is Hamer Steve Stevens I, as per period-correct pedalboard/guitar photos and interviews. Not live rig. No evidence of later Knaggs, Friedman, or Godin guitars/amps on this recording.
Tone Character(10)
singing sustainharmonic feedbacktight, focused attackcutting lead tonerich upper midrangearticulate pick attackslightly compressedchorus shimmerfuzz-like saturationdistinct stereo width
Difficulty
The solo requires advanced control of fast picking, expressive vibrato, and harmonics at a high tempo, demanding both technical proficiency and dynamic control.
Sources
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Original Gear
GuitarHamer Steve Stevens I
AmpMarshall 1971 JMP 100-watt (metal panel, non-plexi)
PickupsDiMarzio Super Distortion (bridge humbucker, likely stock for Hamer SS I in 1983)
Amp Settings
gain7.5
bass6
mid6.5
treble7.5
reverb2.5
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT
chorusBoss Boss CE-2 Chorus
delayUnknown Delay pedal (model unknown)
compressionBoss Boss CS-2 Compression Sustainer
Notes
Studio recording, 1983. Steve Stevens confirmed in interview he used his '71 Marshall JMP for the original 'Rebel Yell' recording. Guitar is Hamer Steve Stevens I, as per period-correct pedalboard/guitar photos and interviews. Not live rig. No evidence of later Knaggs, Friedman, or Godin guitars/amps on this recording.
Tone Character(10)
singing sustainharmonic feedbacktight, focused attackcutting lead tonerich upper midrangearticulate pick attackslightly compressedchorus shimmerfuzz-like saturationdistinct stereo width
Difficulty
The solo requires advanced control of fast picking, expressive vibrato, and harmonics at a high tempo, demanding both technical proficiency and dynamic control.
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