Riff Tone
Tired of Sex
Weezer
Guitarrock1990s
Original Gear
Guitar1993 Gibson Les Paul Special (likely, as used by Rivers Cuomo on Pinkerton sessions)
AmpMesa/Boogie Mark IIC+ (likely, as used on Pinkerton studio sessions)
PickupsP-90 single-coil pickups
Amp Settings
gain7.5
bass6.5
mid6
treble5.5
reverb0
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi
Notes
Studio recording, 1996 (Pinkerton album). Gear inferred from known Pinkerton session details and typical Weezer setup for this era. No direct source confirms exact gear for 'Tired of Sex' riff, but Les Paul Special with P-90s into Mesa/Boogie Mark IIC+ is widely cited for Pinkerton's heavy rhythm tones.
Tone Character(10)
thick and saturatedaggressive and rawmid-heavy crunchtight, punchy attackdense wall of soundminimal ambienceslightly nasal upper midspercussive palm mutingcompressed power chordsunpolished, garage-like fuzz
Difficulty
The riff requires fast, aggressive power chord playing with tight palm muting and precise rhythm, but does not involve advanced lead techniques or complex chord voicings.
Sources
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Original Gear
Guitar1993 Gibson Les Paul Special (likely, as used by Rivers Cuomo on Pinkerton sessions)
AmpMesa/Boogie Mark IIC+ (likely, as used on Pinkerton studio sessions)
PickupsP-90 single-coil pickups
Amp Settings
gain7.5
bass6.5
mid6
treble5.5
reverb0
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi
Notes
Studio recording, 1996 (Pinkerton album). Gear inferred from known Pinkerton session details and typical Weezer setup for this era. No direct source confirms exact gear for 'Tired of Sex' riff, but Les Paul Special with P-90s into Mesa/Boogie Mark IIC+ is widely cited for Pinkerton's heavy rhythm tones.
Tone Character(10)
thick and saturatedaggressive and rawmid-heavy crunchtight, punchy attackdense wall of soundminimal ambienceslightly nasal upper midspercussive palm mutingcompressed power chordsunpolished, garage-like fuzz
Difficulty
The riff requires fast, aggressive power chord playing with tight palm muting and precise rhythm, but does not involve advanced lead techniques or complex chord voicings.
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