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Fractal Audio FM9 settings

Wanted Dead or Alive settings for Fractal Audio FM9

Bon Jovi · adapted 3 times on ToneAdapt

To get the Bon Jovi "Wanted Dead or Alive" solo tone on a Fractal Audio FM9, use the Brit 800 (Marshall JCM800) amp model on the lead channel, then set Drive 7, Master 7, Bass 6, Mid 7, Treble 7, Presence 6. Use the neck + middle pickup with your guitar's tone on 7-8 and volume on 8-9.

Solo settings

Adapted for a Fender Stratocaster Player II Series HSS · updated 2026-05-08

Amp model
Brit 800 (Marshall JCM800)
Channel
Lead
Cab
4x12 cabinet with vintage speakers
Pickup
Neck + Middle
Guitar knobs
Tone 7-8 · Volume 8-9

Amp block

Drive
7
Master
7
Bass
6
Mid
7
Treble
7
Presence
6

Effects chain

  1. 1delay2290Mix 4 · Feedback 3
  2. 2reverbLondon PlateMix 4 · Decay 3
  3. 3overdriveT808Gain 3 · Tone 5 · Level 7

Built-in effects

  • Reverb off

Playing tips

  • Focus on touch-sensitive dynamics to achieve smooth, vocal-like leads.
  • Use finger vibrato to enhance sustain and expressiveness in your playing.
  • Employ slight palm muting on lower notes for a punchier attack.

Riff settings

Adapted for a Fender Stratocaster Player II Series HSS · updated 2026-05-08

Amp model
Double Verb (Fender Twin)
Channel
Clean
Cab
Open Back 2x12
Pickup
Bridge + Middle
Guitar knobs
Tone 7-8 · Volume 8-9

Fractal Audio FM9 knobs

Gain
0
Bass
5
Mid
5
Treble
5

Amp block

Drive
2
Master
7
Bass
5.5
Mid
6
Treble
6.5
Presence
5.5

Effects chain

  1. 1reverbLondon PlateMix 5 · Decay 6
  2. 2overdriveT808Gain 2 · Tone 5 · Level 7

Built-in effects

  • Reverb off

Playing tips

  • Use percussive strumming to capture the acoustic-like attack.
  • Focus on maintaining a clean, crisp sound without excessive force.
  • Experiment with fingerpicking for a more dynamic range.

The original rig

What Bon Jovi used on the recording, for reference. ToneAdapt translates this to the controls your Fractal Audio FM9 actually has.

Guitar
Gibson Les Paul Standard (late '50s/early '60s, likely 1959 or 1960, as referenced in interviews and rig rundowns for the era)
Amp
Marshall JCM 800 head (studio recording, 1986)
Gain
7
Bass
6
Mid
7
Treble
7
Presence
6
Reverb
3
Full Wanted Dead or Alive tone breakdown, effects and sources →

Different guitar or pedals? Get Wanted Dead or Alive adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts Bon Jovi's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What amp model should I use on the Fractal Audio FM9 for Wanted Dead or Alive?

Use the Brit 800 (Marshall JCM800) (lead channel) with Drive 7, Master 7, Bass 6, Mid 7, Treble 7, Presence 6, followed by 2290, London Plate, T808.

Which pickup should I use for Wanted Dead or Alive?

Neck + Middle, with the guitar's tone at 7-8 and volume at 8-9.

What gear did Bon Jovi use on Wanted Dead or Alive?

Guitar: Gibson Les Paul Standard (late '50s/early '60s, likely 1959 or 1960, as referenced in interviews and rig rundowns for the era). Amp: Marshall JCM 800 head (studio recording, 1986).

Will these settings work with my guitar?

These settings were adapted for a Fender Stratocaster Player II Series HSS. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Fractal Audio FM9

All 29 songs for the Fractal Audio FM9 →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.