Guitar tone · rock, metal

Kiss guitar tone: gear & amp settings

The gear and amp settings behind 71 Kiss songs, researched from rig rundowns, interviews and gear forums. The rig that shows up most: 1973 Gibson Les Paul Deluxe into Marshall Super Lead 100 (Plexi, early 1970s).

Guitars Kiss used

1973 Gibson Les Paul Deluxe6 songs
Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley)3 songs
Gibson Les Paul Standard3 songs
Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley's main live guitar at the time)2 songs
Gibson Les Paul Junior2 songs
Gibson V-901 song
Jackson Rhoads V (custom, pink finish, Vinnie Vincent signature model, likely with DiMarzio Super Distortion humbuckers)1 song
Gibson Les Paul Standard (late 1950s, likely 1959 sunburst)1 song

Amps Kiss used

Marshall Super Lead 100 (Plexi, early 1970s)2 songs
Marshall Super Lead 100 (Plexi, cranked, 1970s model)2 songs
Marshall Super Lead 100 (Plexi, late 1970s/early 1980s, likely JMP or JCM800 variant)2 songs
Marshall Super Lead 100 (Plexi, early 1970s, likely JMP 1959 model)2 songs
Marshall Super Lead 100 (Plexi, late '60s/early '70s, cranked)2 songs
1966 Fender Bassman head into Marshall 4x12 cabinet2 songs
Mesa/Boogie Mark V 90-Watt Tube Head1 song
Marshall 100-watt Super Lead (Plexi, early 1970s, likely model 1959)1 song

99 Kiss tones

Song	Part	Guitar	Amp	Gain
I Was Made for Lovin' You · riff	Riff · distorted	1978 Gibson Les Paul Custom	Marshall Super Lead 100 (model 1959, late '70s, likely with 4x12 cabinet)	6.5
Tears Are Falling · riff	Riff · distorted	Kramer Baretta (1984-85, likely with custom finish)	Marshall JCM800 2203 head with 4x12 cabinet	7
Detroit Rock City · riff	Riff · distorted	1973 Gibson Les Paul Deluxe	Marshall Super Lead 100 (model 1959, early 1970s, likely through Marshall 4x12 cabinet with Celestion G12M speakers)	7
Love Gun · riff	Riff · distorted	1973 Gibson Les Paul Deluxe (modded with DiMarzio Super Distortion bridge pickup)	Marshall Super Lead 100W (model 1959, late-60s/early-70s, non-master volume)	6.5
Detroit Rock City · solo	Solo · distorted	Gibson Les Paul Standard (1970s, likely tobacco burst, used by Ace Frehley)	Marshall Super Lead 100 (Plexi, cranked, 1970s model)	7.5
Deuce · riff	Riff · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley)	Marshall Super Lead 100 (Plexi, early 1970s, likely JMP 1959 model)	6
Love Gun · solo	Solo · distorted	Gibson Les Paul Custom (black-and-cream, triple-humbucker, 1970s)	Marshall Super Lead 100 (Plexi, late '60s/early '70s, studio recording)	6.5
Black Diamond · riff	Riff · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley)	Marshall Super Lead 100 (Plexi, early 1970s, likely JMP 1959 model)	6
Detroit Rock City (Remix) · riff	Riff · distorted	Gibson Les Paul Standard (likely 1974-75, Ace Frehley)	Marshall Super Lead 100 (Plexi, cranked, 1970s model)	6.5
Deuce · solo	Solo · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, with stock humbuckers)	Marshall Super Lead 100 (Plexi, likely model 1959, early 1970s)	8
Love's a Deadly Weapon · riff	Riff · distorted	Kramer Baretta (1980s, likely custom for Paul Stanley or Bruce Kulick)	Marshall JCM800 2203 (100W head, 1980s studio use)	7.5
Shock Me · riff	Riff · distorted	Gibson Les Paul Standard (1970s, likely 1973 tobacco burst)	Marshall Super Lead 100 (Plexi, late 1960s/early 1970s, dimed)	8
All American Man (Live At Capitol Theatre, New Jersey / 1977) · riff	Riff · distorted	Gibson Les Paul Standard (likely 1973-1976, Ace Frehley)	Marshall Super Lead 100 (Plexi, late '60s/early '70s, cranked)	6.5
Black Diamond (Live/1975 - 2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Custom (mid-1970s, likely 1975-1976, as used by Paul Stanley and Ace Frehley on KISS Alive!)	Marshall 1959SLP Plexi Super Lead (100-watt, cranked, through Marshall 4x12 cabinet)	6
C'mon And Love Me (2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Deluxe (mid-1970s, likely 1974-75, mini-humbuckers)	Marshall 100-watt Super Lead (Plexi, early 1970s, likely JMP or Super Lead 1959)	5
C'mon And Love Me (Live/1975 - 2025 Remaster) · riff	Riff · distorted	1973 Gibson Les Paul Deluxe	Marshall Super Lead 100 (Plexi, early 1970s)	7
Calling Dr. Love · riff	Riff · distorted	Gibson Les Paul Standard (1970s, likely tobacco burst, as used by Paul Stanley and Ace Frehley on 'Rock and Roll Over')	Marshall Super Lead 100-watt head (Plexi or JMP, 1970s, through Marshall 4x12 cabinet with Celestion speakers)	6
Childhood's End · riff	Riff · distorted	Gibson Les Paul Standard (Ace Frehley signature or similar, likely with DiMarzio Super Distortion bridge pickup)	Marshall Superlead or Marshall JCM 900 (studio recording, 1997 Carnival of Souls era)	6.5
Childhood's End · solo	Solo · distorted	ESP Custom Shop Viper (prototype, black, neck-thru or bolt-on, humbuckers)	Unknown high-gain amp (not specified in sources; likely Marshall or similar high-gain amp used by Bruce Kulick in 1996 studio sessions)	7
Cold Gin · riff	Riff · distorted	1973 Gibson Les Paul Deluxe	Marshall 100-watt Super Lead (Plexi, early 1970s, likely model 1959)	7.5
Cold Gin · solo	Solo · distorted	Fender Telecaster Deluxe	Marshall (likely Super Lead or Plexi, model not explicitly confirmed for this track)	7.5
Cold Gin (Live/1975 - 2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Standard (Tobacco Burst, 1970s)	Marshall 100-watt head (likely Super Lead or JMP, 4x12 cabinet)	8
Crazy Crazy Nights · solo	Solo · distorted	ESP M-1 Banana	Marshall JCM900 4100	7.5
Crazy Crazy Nights · riff	Riff · distorted	ESP M-1 'Banana' Superstrat	Marshall JCM 900 4100	7
Creatures Of The Night (2022 Remastered) · solo	Solo · distorted	Jackson RR1 (Randy Rhoads model) or Gibson Les Paul Heritage Standard 80 (likely Jackson RR1 for solo)	Marshall amplifier (exact model not specified, likely JCM800 or JMP era head)	8
Creatures Of The Night (2022 Remastered) · riff	Riff · distorted	Gibson Les Paul Heritage Standard 80 (honey sunburst finish)	Marshall JMP 100-watt head	8
Creatures of the Night (Live) · solo	Solo · distorted	Jackson Vinnie Vincent Double-V	Marshall JCM800 (likely 2203 head, era-correct for 1982-1984 Kiss live shows)	7.5
Detroit Rock City (Live) · riff	Riff · clean	Gibson Les Paul Standard (mid-70s, Ace Frehley signature modded for live use)	Marshall Super Lead 100-watt head (model 1959, late-60s/early-70s, into Marshall 4x12 cabinets, live rig)	0
Deuce (Live) · riff	Riff · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley's main live guitar at the time)	Marshall Super Lead 100 (Plexi, 1959 model, 100-watt, cranked, live setup)	8
Deuce (Live) · solo	Solo · distorted	1973 Gibson Les Paul Deluxe	Marshall 100-watt Super Lead (likely JMP or Plexi, EL34 tubes)	7
Deuce (Live/1975 - 2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley's main live guitar at the time)	Marshall Super Lead 100-watt (model 1959, 'plexi', cranked, no master volume, typical for Ace Frehley live in 1975)	8
Deuce (Live/1975 - 2025 Remaster) · distorted	Distorted · distorted	Gibson Grabber (early-mid 1970s, likely black finish)	Ampeg SVT (early 1970s, 300W tube head) with Ampeg 8x10 cabinet	6
Dirty Livin' · riff	Riff · distorted	Gibson Les Paul Custom (likely Ace Frehley or Paul Stanley's, as used on Dynasty sessions)	Marshall Super Lead (likely 100W, as used by Kiss in late 1970s studio sessions)	5.5
Dirty Livin' · solo	Solo · distorted	Gibson Les Paul Custom (1970s, likely Ace Frehley's main studio guitar for Dynasty era)	Marshall Super Lead 100 (model 1959, typical for Ace Frehley in late 1970s studio sessions)	6.5
Do You Love Me? · riff	Riff · distorted	Gibson Les Paul Deluxe (likely 1973-1975, Ace Frehley main studio guitar for Destroyer era)	Marshall Super Lead 100W (Plexi, late 60s/early 70s, through Marshall 4x12 cabinet with Celestion speakers)	6
Do You Love Me? · solo	Solo · distorted	Gibson Les Paul Standard (1959 sunburst, hot rewound pickup)	Marshall Superlead 100W head into Marshall 4x12 cabinet	7.5
Domino · solo	Solo · distorted	Gibson Les Paul Junior	1966 Fender Bassman head into Marshall 4x12 cabinet	7
Domino · riff	Riff · distorted	Gibson Les Paul Junior	1966 Fender Bassman head into Marshall 4x12 cabinet	6.5
Dreamin' · riff	Riff · distorted	Gibson Les Paul Standard (likely late 1970s/early 1980s, used by Tommy Thayer on studio recording)	Marshall JCM800 2203 (studio recording, late 1990s Kiss sessions typical amp)	6.5
Fits Like a Glove · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s/early 1980s, humbuckers)	Marshall amplifier (likely JMP or JCM800, era-correct for 1983 studio recording)	7
God Gave Rock 'N' Roll to You II · riff	Riff · distorted	Paul Stanley Signature Ibanez PS10 (likely used for riff section, as per era and artist's main studio guitar for 'Revenge')	Marshall JCM800 (likely, based on era, genre, and typical Kiss studio setup for 'Revenge')	7
God of Thunder · riff	Riff · distorted	Gibson Les Paul Custom (mid-1970s, likely Ace Frehley's main studio guitar at the time)	Marshall Super Lead 100 (Plexi, 1959 model, typical for Ace Frehley in 1976 studio sessions)	6.5
God of Thunder · solo	Solo · distorted	Gibson Les Paul Standard (1970s, likely tobacco sunburst, as used by Ace Frehley on Destroyer sessions)	Marshall Super Lead 100 (Plexi, 1959 model, as used by Ace Frehley in studio during 'Destroyer' era)	6.5
Heart of Chrome · riff	Riff · distorted	Gibson Les Paul Standard (Ace Frehley, studio recording)	Marshall Super Lead (likely JCM800 or JMP, studio recording)	7.5
Heart of Chrome · solo	Solo · distorted	ESP M-1 Custom	Marshall JCM 900	7.5
Heaven's On Fire · riff	Riff · distorted	Jackson Custom Soloist (Mark St. John, 1984-85, Animalize sessions)	Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1984)	7
Hotter Than Hell · riff	Riff · distorted	1973 Charles Lobue Custom V (Paul Stanley) or Gibson Les Paul Standard (Ace Frehley)	Marshall Superlead 100 (Ace Frehley) or Marshall Plexi (Paul Stanley); possibly Fender Champ for some overdubs	6
I · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s, Ace Frehley signature not yet in production)	Marshall Super Lead 100 (Plexi, late 1970s/early 1980s, likely JMP or JCM800 variant)	6.5
I Just Wanna · riff	Riff · distorted	Gibson Les Paul Standard	Marshall JCM800 (likely 2203 or 2204 head, as used by Paul Stanley and Bruce Kulick in early 90s Kiss studio sessions)	7
I Love It Loud (Single Edit) · riff	Riff · distorted	Gibson Les Paul Custom	Marshall JMP 100-watt head (likely 2203 or 2204, late 1970s/early 1980s model)	7
I Was Made for Lovin' You · distorted	Distorted · distorted	1970s LoBue custom bass (P-style, single pickup, passive)	Ampeg SVT (1970s tube head) into Ampeg 8x10 cab	6
I Was Made for Lovin' You · solo	Solo · distorted	Gibson Les Paul Custom (likely 1973-1974, three-pickup, 'Smoker' guitar)	Marshall Super Lead 100 (Plexi, late 60s/early 70s, likely modded for more gain)	7
I Was Made for Lovin' You (Live) · riff	Riff · distorted	Ibanez Iceman (Paul Stanley signature, live era)	Marshall Super Lead (likely 100W, live rig, late 1970s/early 1980s)	6.5
Into the Void · riff	Riff · distorted	Gibson Les Paul Standard	Marshall amplifier (exact model not specified, likely JCM800 or similar high-gain Marshall head)	6.5
it's alright · riff	Riff · distorted	Ibanez Iceman (likely PS10, as used by Paul Stanley in 1978 studio sessions)	Marshall Super Lead 100 (Plexi, late 1970s, likely JMP 1959SLP or similar)	6
King of Hearts · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s-1980s, as used by Paul Stanley and Bruce Kulick in this era)	Marshall JCM800 2203 (100-watt head, typical Kiss studio amp for this era)	7
King of the Night Time World · riff	Riff · distorted	Gibson Les Paul Standard (likely 1973 or 1974, Ace Frehley’s main studio guitar at the time)	Marshall Super Lead 100 (Plexi, early 1970s, cranked)	6.5
King of the Night Time World · solo	Solo · distorted	Gibson Les Paul Standard (tobacco sunburst, likely with DiMarzio Super Distortion bridge pickup)	Marshall Super Lead 100 (Plexi, late '60s/early '70s, cranked)	7.5
Lick It Up · solo	Solo · distorted	Jackson Rhoads V (custom, pink finish, Vinnie Vincent signature model, likely with DiMarzio Super Distortion humbuckers)	Marshall 100-watt head (likely JCM800, stock, used in studio for 'Lick It Up' 1983)	7
Lick It Up · riff	Riff · distorted	Jackson RR1 Rhoads (Vinnie Vincent, studio recording)	Marshall JCM800 2203 head (studio recording, 1983)	7.5
Love 'Em and Leave 'Em · solo	Solo · distorted	Gibson Les Paul Deluxe (mid-1970s, likely tobacco burst, mini-humbuckers)	Marshall Super Lead 100-watt (Plexi, late 1960s/early 1970s, dimed)	7.5
Love Theme from Kiss · riff	Riff · distorted	Gibson Les Paul Standard (1973-1974, likely Paul Stanley or Ace Frehley)	Marshall Plexi (1959 Super Lead, likely 100W, cranked for overdrive)	6
Magic Touch · solo	Solo · distorted	Gibson Les Paul Standard (late 1970s, likely 1978-79, as used by Paul Stanley in studio)	Marshall JMP 100-watt head (likely 1959 or 1987 model, as used by Paul Stanley in late 1970s studio sessions)	7
Magic Touch · riff	Riff · distorted	Washburn PS10 (Paul Stanley Signature)	Marshall amplifier (likely JMP or JCM800 series, as used by Paul Stanley in late 1970s/early 1980s studio sessions)	6.5
Mr. Speed · riff	Riff · distorted	Gibson Les Paul Deluxe (mid-1970s, mini-humbuckers, Ace Frehley)	Marshall Super Lead 100 (Plexi, late 1960s/early 1970s, cranked)	6
Naked City · riff	Riff · distorted	Gibson Les Paul Custom (likely 1970s, used by Paul Stanley on 'Unmasked')	Marshall JMP 100-watt head (1970s, likely model used in studio)	5.5
Parasite · riff	Riff · distorted	1973 Gibson Les Paul Deluxe	Marshall Super Lead 100-watt head with Marshall 4x12 cabinet	7
Rain · riff	Riff · distorted	—	—	7
Reason to Live · solo	Solo · distorted	Gibson Les Paul Standard (likely late 1970s/early 1980s, sunburst finish)	Marshall JMP (likely 2203 or 1959 Super Lead, as used by Kiss in studio in the 1980s)	7
Rock And Roll All Nite (2025 Remaster) · solo	Solo · distorted	Gibson Les Paul Standard (mid-1970s, likely 1974-75, as used by Ace Frehley on the original recording)	Marshall Super Lead 100 (Plexi, late 1960s/early 1970s, likely with EL34s, as used by Ace Frehley in studio)	6.5
Rock And Roll All Nite (2025 Remaster) · riff	Riff · clean	Gibson Les Paul Standard (likely 1973-1974, Ace Frehley)	Marshall Super Lead 100W (Plexi, early 1970s, studio recording)	0
Rock And Roll All Nite (2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Standard (mid-70s, likely 1973-1974, Ace Frehley)	Marshall Super Lead 100 (model 1959, late plexi/aluminum panel, EL34s)	7
Rock and Roll All Nite (Live) · riff	Riff · distorted	Gibson Les Paul Standard (Ace Frehley, live 1975-1977 era)	Marshall Super Lead 100 (1959 model, live rig, period-correct for Kiss 1970s concerts)	6.5
Rock And Roll All Nite (Studio Demo) · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s, Ace Frehley)	Marshall Super Lead 100 (Plexi, 1970s, studio recording)	6
Rock Bottom (2025 Remaster) · riff	Riff · distorted	Gibson Les Paul Standard (mid-1970s, likely tobacco burst, with DiMarzio Super Distortion bridge pickup)	Marshall Superlead 100 (Plexi, early 1970s)	7
Saint And Sinner · solo	Solo · distorted	Charvel Strat-style custom (Vinnie Vincent, hand-built, used on Creatures of the Night sessions)	Marshall JCM800 (studio, 1982 Creatures of the Night sessions)	7
Saint And Sinner · riff	Riff · distorted	Gibson Les Paul (likely Custom or Standard, as used by Paul Stanley/Bruce Kulick on Creatures of the Night sessions)	Marshall JCM800 (studio, 1982 Creatures of the Night sessions; some sources suggest JMP or JCM800, but JCM800 is most likely for this album's tone)	6.5
Saint And Sinner (2022 Remastered) · solo	Solo · distorted	Vinnie Vincent Charvel Strat (custom, hand-built, used on Creatures of the Night album)	Marshall amplifier (exact model not specified, likely JCM800 or JMP era, as per 1982 Kiss studio use)	7
Say Yeah · riff	Riff · distorted	Washburn Paul Stanley Signature (likely PS10 or PS9200, as used on 'Sonic Boom' album era)	Marshall amplifier (vintage Marshall, as used in 'Sonic Boom' studio sessions per UberProAudio and genre/era inference)	7
She's So European · riff	Riff · distorted	Gibson Les Paul Custom (likely 1970s, Ace Frehley signature not yet released)	Marshall Super Lead 100 (Plexi, late 1970s/early 1980s, likely JMP or JCM800 variant)	7
Shock Me · solo	Solo · distorted	Gibson Les Paul Custom (1970s, likely 1973-1974 model, three-pickup configuration)	Marshall Super Lead 100-watt (Plexi, likely model 1959, dimed)	8
Shock Me (Live) · solo	Solo · distorted	1973 Gibson Les Paul Deluxe	Marshall 100-watt Super Lead (Plexi) full stack	8.5
Shout It Out Loud · solo	Solo · distorted	Gibson Les Paul Standard (1970s, likely Ace Frehley's tobacco burst with DiMarzio Super Distortion in bridge)	Marshall Plexi (Super Lead 1959, 100-watt, 1970s, likely with EL34 tubes)	6.5
Shout It Out Loud · riff	Riff · distorted	Gibson Les Paul Standard	Marshall Plexi (likely 1959 Super Lead, as used by KISS in the 1970s studio sessions)	6
Strutter · solo	Solo · distorted	1973 Gibson Les Paul Standard	Marshall Super Lead 100 (Plexi, early 1970s)	6
Strutter · riff	Riff · distorted	Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley)	Marshall Super Lead 100 (Plexi, late 60s/early 70s, likely JMP 1959)	7.5
Sure Know Something · solo	Solo · distorted	Gibson Les Paul Standard (late 1950s, likely 1959 sunburst)	Marshall Superlead 100-watt head into Marshall 4x12 cabinet	7
Sure Know Something · riff	Riff · distorted	Ibanez Iceman Cracked Mirror Electric Guitar	Marshall amplifier (likely JMP or Super Lead, late 1970s studio model)	5
take it off · riff	Riff · distorted	Gibson Les Paul Standard (likely 1980s/early 1990s, bridge pickup, as used by Paul Stanley on 'Revenge')	Marshall JCM 800 (studio, early 1990s, as used on 'Revenge')	7
Talk to Me · riff	Riff · distorted	Gibson Les Paul Deluxe	Marshall JMP (likely 2203 or 1959 model, late 1970s/1980 studio use)	6.5
The Oath · riff	Riff · distorted	Gibson Les Paul Custom (likely Ace Frehley, studio recording, 1981)	Marshall JMP 100-watt head (likely 1970s/early 80s, studio recording)	7
Under the Rose · solo	Solo · distorted	Gibson Les Paul Custom (likely 1970s, Ace Frehley or Bob Ezrin session guitar)	Marshall Super Lead (Plexi or JMP, 1970s era, likely 100W, with 4x12 cabinet)	6.5
Unholy (Live) · riff	Riff · distorted	Gibson V-90	Mesa/Boogie Mark V 90-Watt Tube Head	7.5
What Makes The World Go Round · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s, Ace Frehley spec)	Marshall JMP 100-watt head (1970s, likely Super Lead or Master Volume model)	7
When Lightning Strikes · solo	Solo · distorted	Gibson 1961 SG Reissue	Hughes & Kettner Tommy Thayer Signature Head + H&K Statesman combo + 1973 Marshall 50-watt (solo blend, studio recording)	7
When Lightning Strikes · riff	Riff · distorted	Gibson 1961 Reissue SG	Hughes & Kettner Statesman combo and late Seventies Marshall Master Volume (studio recording); signature Hughes & Kettner DuoTone head (live)	7
X-Ray Eyes · riff	Riff · distorted	Gibson Les Paul Standard (likely 1970s, Ace Frehley or Paul Stanley, as per Dynasty era studio use)	Marshall JMP 100-watt head into Marshall 1960 4x12 cabinet (Dynasty studio era, no evidence of other amps for riff section)	6.5
X-Ray Eyes · solo	Solo · distorted	Gibson Les Paul Standard (likely 1970s, possibly Ace Frehley or Paul Stanley's, but solo likely Paul Stanley)	Marshall amplifier (likely Marshall Super Lead or JMP, as used by Kiss in the late 1970s studio sessions)	7
Young and Wasted · riff	Riff · distorted	Hamer Standard 1980 Tiger Explorer Custom	Likely Marshall JCM800 (studio recording, 1983 era, typical for Kiss 'Lick It Up' sessions)	7

Kiss songs on popular amps

Exact settings ToneAdapt players use for these songs on their own amps.

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Frequently asked questions

What amp did Kiss use?

Across 71 researched songs, the amps that come up most are Marshall Super Lead 100 (Plexi, early 1970s) (2 songs), Marshall Super Lead 100 (Plexi, cranked, 1970s model) (2 songs), Marshall Super Lead 100 (Plexi, late 1970s/early 1980s, likely JMP or JCM800 variant) (2 songs), Marshall Super Lead 100 (Plexi, early 1970s, likely JMP 1959 model) (2 songs).

What guitar did Kiss use?

Most often: 1973 Gibson Les Paul Deluxe (6 songs), Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley) (3 songs), Gibson Les Paul Standard (3 songs), Gibson Les Paul Standard (early 1970s, likely 1973-74, Ace Frehley's main live guitar at the time) (2 songs).

How do I get Kiss's tone on my amp?

Open any Kiss song below to see the original gear and settings, then use ToneAdapt to adapt them to your own guitar, amp, pickups and pedals.